Tag: dog art today

  • Beasts of Burden in NYC

     

    Beasts of burden art show 2017

     

    “Beasts of Burden”

     

    I’m excited to announce that an expanded version of the 2012 show “Beasts of Burden,” curated by Jane O’Hara, will be on view in New York City, October 20 – 22, 2017 at TUF Gallery, 208 East 73 Street.

    Opening night reception is Friday, October 20, 5-8 pm.

    The exhibition includes the work of 14 artists exploring our complex relationship with animals:

    Tony Bevilacqua
    Denise Lindquist
    Ariel Bordeaux
    Nancy Diessner
    Karen Fiorito
    Raul Gonzalez lll
    Adonna Khare
    Wendy Klemperer
    Jo-Anne McArthur
    Moira McLaughlin
    Moby
    Jane O’Hara
    Julia Oldham
    Gedas Paskauskas

     

    My series “Twelve dox-ZENs” will be on view.  This time they will be for sale individually ($400 each) or together ($2400). I’ll have another post on this soon.

    The show is part of the Compassion Arts & Culture and Animals Festival, a weekend-long celebration of song, artistry, discussion, film, and performances reflecting our multifaceted relationships with animals and the earth we share.

    The festival is presented by two prestigious entities: Culture & Animals Foundation, a non-profit committed to supporting artists and scholars in advancing our understanding of and commitment to animals, and Compassion Arts, a creative arts and education initiative dedicated to expanding the way we see animals, nature, each other, and ourselves.

    In addition to the exhibition, curator Jane O’Hara will perform a multi-media reflection on “Beasts of Burden” featuring song, video, spoken word and art in collaboration with singer-songwriter Joy Askew and poet Gretchen Primack, Saturday night at 7:30 pm at Symphony Space, 2537 Broadway, NY, NY.

    Tickets for the performance are $20 each or $25 day of show ($10 for children and students). Click here to order yours.

    There are many other animal-centric events throughout the weekend you might be interested in.

    Visit Compassion Arts Festival for more information.

  • Kidnapped by Breast Cancer

     

    Moira-McLaughlin-Tyler-Cancer-Square

     

    I Have to Tell You Something
     
     
    I've always been afraid of windowless vans. They're kidnapper vans, right? So I'm usually on the lookout for them.
     
    Unfortunately, my windowless van came disguised. It appeared as a cheery phone call from a nurse the day after my routine mammogram, October 7, 2014.
     
    "It's not cancer," the nurse said.
     
    Of course, I thought. I've never been called back for suspicious tissue since I began my yearly mammograms 15 years ago at age 35 (early in life because my mother and both grandmothers had breast cancer. None of them died from it).
     
    Mentally ending the call, I realized the nurse was still talking.
     
    "It's called LCIS. But it's technically not considered cancer."
     
    Her voice streamed through receiver as I Googled a second opinion…
     
    LCIS is Lobular Carcinoma In Situ.
     
    There is was, "Carcinoma."
     
    BAM. The van's door slammed shut on me and I was kidnapped by cancer.
     
    Strangely, I didn't know it yet.

     

    Moira-McLaughlin-Cancer-Center

     

    My First Day at the Cancer Center — Really?!
     
     
    It's true. LCIS is not cancer. It's abnormal cells that indicate you might get cancer, or you might already have it. It sets you on a fact-finding mission that starts with an ultrasound. I went for the procedure that morning even though I was still sore and exhausted from the mammogram.
     
    Physically, mammograms are not a big deal. But since 1999 I have been debilitated by fibromyalgia. I haven't written about that here because Dog Art Today has been my healthy avatar, a blog by someone who isn't in chronic pain.
     
    The ultrasound showed areas of "architectural distortion." This prompted a core needle biopsy, which feels like being upholstered by a staple gun. It hurt. A lot.
     
    The doctor removed tissue and placed a titanium clip inside my breast. The clip was an anchor for a wire that would poke outside my body on the day of my lumpectomy that was now scheduled.
     
    This all felt extreme, since I did not have cancer. I had LCIS. Mistakenly, I had latched onto the first part of the diagnosis (it's not cancer) and detached from the second part (it could be).

     

    Moira-McLaughlin-Breast-Scan

     

    The Trunk Not the Leaves
     
     
    The first chink in that detachment came from the nurse assisting the biopsy that day. When the doctor left the room, she confided that 20 years ago she had had cancer that resulted in a hysterectomy. I thanked her for sharing, assuming her story was one of post-cancer normality.
     
    It wasn't.
     
    When the doctor left the room again, she told me how hard it was. Not because of the cancer, but because of the friends who fell away from her. Looking back, she said, it was for the best. It ended up being an efficient, though painful, way to rid herself of toxic people all at once.
     
    It was a disturbing message, but one that didn't apply to me. I certainly didn't have toxic people in my life. And I didn't have cancer.

     

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    My Oncologist's Door
     

    But, I was being treated at the cancer center and that meant I needed a team. So I met with an energetic surgeon with a penchant for drawing pictures with Sharpies (his comparison of lobules to broccoli was quite helpful), a young, beautiful, Chinese oncologist with instincts of a Jedi, and a charming radiologist of the cashmere-clad horsey set from Napa.

    I felt the worst for the radiologist. He was passionate about his graphs and flow charts, eager to share his wealth of the most current research. But it seemed to me that I was wasting his professorial office hours for a college course I intended to drop. 
     
    But as he dissertated on what a lumpectomy might reveal, it happened, I experienced a mental eclipse. Something dark sent an internal memo to my conscious brain. It read, "I am a cancer patient. And this is not going to be 'journey' or even a 'battle,' both terms that imply agency. This was a hostage situation, one I might not survive."

     

    Moira-McLaughlin-Tyler-Foote-Night-Nurse

     

    Tyler Foote:Dark Night

     

    Being sick is hard work. Metaphorically speaking, I was transported to a labor camp not a cell.

    My mother, a three-time cancer patient, compares it to being Shanghaied — arriving doped and alone in a foreign country. And in this new world, where you don't speak the language, you're expected to get your masters degrees in medicine, financial planning, healthcare administration, and existential philosophy.

    Your will and your advance healthcare directive are due immediately.

    And, most devastating, you need to plan for someone to take care of your dog. Who will understand that he likes to go out three times before 10am. That the words "indoor bark" will turn down his volume. That he loves to catch his small, orange Chunky ball in his mouth, and that he needs to have the fur between his toes checked for foxtails every time he comes in from a walk.

    It was too much. But it all had to be done. By me.

    The lumpectomy went well.

    The pathology report did not.

     

    Moira-McLaughlin-Pathology-revised-low-res

     

    Waiting for My Pathology Report

     

    I had cancer. Two kinds, my surgeon told me as he read the report just coming in on his laptop: Ductal Carninoma in Situ (DCIS) and Invasive Lobular Carcinoma (ILC).

    Silence, as he stared at the screen.

    "Well, obviously I'm disappointed," I said.

    Finally he looked at me and said, "You're going to have your feelings. But it's better to know."

    His lack of drama was reassuring, like a plumber telling you the clog is on your property, not the city's. The old oak is going to have to come down. Sad, yes, but do-able. Let's get to work.

    But things got complicated fast. I was scheduled for a lymph node removal to see if the cancer had spread. But a pre-op MRI showed suspicious tissue in my other breast. 

    My Jedi oncologist postponed my surgery and ordered another MRI.  It showed probable cancer in my other breast. Another core needle biopsy confirmed it was cancer.

    Now I was bombarded with decisions as I felt rogue cells metastasizing with each passing second. And here's the truth that Pinktober doesn't convey, breast cancer is grotesque.

    Bilateral mastectomy with or without concurrent reconstruction. Implant rupture. Tissue rotation. Nipple preservation. Areola tattooing. Massive scaring. Excessive bleeding. Breast prostheses. Flap failure. And "the chance that the cosmetic result will not be as pleasing as expected."

     

    Moira-McLaughlin-Cancer-Selfie-600

    Breast Cancer is Not Pretty

     

    After hours of conversations with my mom (my long distance guru) and my sister (my nearby caregiver), I decided to stay with my local team in Grass Valley, a small, rural community in Northern California.

    I had two surgeries for lumpectomies, lymph node removal, and a reexcision. My prognosis worsened with each new pathology update. But after my second surgery, things turned around. My cancer was stage 1. It hadn't spread to my lymph nodes, and I didn't need chemo.

    (This is for other breast cancer patients. Feel free to skip. I had LCIS, DCIS, ILC, ER positive, PR positive, HER Negative, BRCA negative, and an ONCO Score of 10.)

    A cancer diagnosis is not like in the movies, that scene when the doctor explains the whole situation to the character and the audience. A full diagnosis comes in pieces, from labs across the country that lose your tissue sample and take weeks to respond, from  MRIs that are unreadable for no known reason and need to be re-administered, from corporations who own the rights to genetic testing that your insurance first has to approve. It takes weeks, and for me months, to get the full picture.

     

    Moira-McLaughlin-Puzzle

     

    Unfinished Business at the Cancer Center

     

    Surprisingly, I managed the surgeries and the six weeks of radiation pretty well. I was exhausted and in pain, but I was functioning. I posted on this blog for a while and was able to make art and mount several shows for the DANK artist collective I was in. 

    Sadly, the nurse who told me cancer could spread to relationships more aggressively than to cells turned out to be right. Not everyone wants to deal with your cancer. And it becomes clear in a terrifying way that you are only the protagonist in your own life. To others, you're a bit player, easily dropped.

    The flip side of this free fall is that people surprise you in unexpected and beautiful ways.

    But, to be clear, I'm not saying  "Cancer is a gift."

    This concept enrages me because it victimizes patients who are scared, hopeless, angry, and alone. I felt myself butting up against it (and colluding with it) as I told people about my diagnosis. I always had a sunny lilt in my voice. I'll be fine, I told them. It was phony, but it was an easier narrative to say out loud, and marketing companies had done an excellent job laying the base for how pretty and empowering breast cancer can be.

    Former breast cancer patient (I also hate the word "survivor") Barbara Ehrenreich, author of Bright-Sided: How Positive Thinking is Undermining America gets it right in her article "Smile: You've Got Cancer," when she notes…

    In the mainstream of breast cancer culture, there is very little anger, no mention of possible environmental causes, and few comments about the fact that, in all but the more advanced, metastasized cases, it is the "treatments", not the disease, that cause the immediate illness and pain. In fact, the overall tone is almost universally upbeat.

    When I couldn't put on that upbeat performance, I isolated. It's why I stopped blogging. And why It's been so hard to start again.

     

    Moira-McLaughlin-cancer-bulletin-board-600

     

    Is this helpful?

     

    The truth is I had the "good kind of cancer" and it is a nightmare.

    It's been over two years since my treatment ended and I am still struggling. Granted, fibromyalgia exacerbated my pain and my genetics have made my depression clinical. But this is what it means to have cancer. You always have it, even when technically you don't. As they say on the breast cancer message boards when they quote The Eagles' Hotel California, "You can check out any time, but you can never leave."

    Writing this is post is a sign that I'm feeling better, though I still feel removed from many of the things I used to love. I've had a crippling case of "why bother." But today I feel well enough to Photoshop a selfie for you so you'll believe that I'm on the mend…

     

    Moira-McLaughlin-Cancer-Polaroid

     

     Moira McLaughlin: Self Portrait with Cancer

     

    I don't know if Dog Art Today will remain the same or how often I will post. And I am warning you now that I don't feel neutral about the man in the White House, so Trump voters feel free to delete me from your inbox. But I'm here. I've missed connecting with you. And the dog I saved five years ago has saved me every day since I was kidnapped.

     

     

    Tyler-Foote-New-Perspective

     New Perspective

     

    I look forward to sharing more from my new perspective.

    P.S. If you can't remember the last time you had a mammogram, call and schedule yours right now. My surgeon is right. It's better to know.

     

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  • Own A Framed Print of Tyler Foote Finds Via Framebridge

     

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    Tyler Foote Finds: A Compendium of My Ignorance (click on image to enlarge)

    Tyler Foote Finds: A Compendium of My Ignorance, a two-year collaboration with my dog, Tyler Foote, documenting my inability to identify a single natural object from our walks (except the $1 bill), was conceived to be an ephemeral installation for the DANK Inaugural. Some of Tyler’s “finds” have already become kindling and compost.

    But friend and professional photographer, Jim Pyle, beautifully photographed it for me. And prints are now available as digital downloads, $50 each, via PayPal including credit cards.

    And, I’ve just discovered Framebridge, a brilliant new company that custom frames photographs and art for all-inclusive low rates from $79 – $149. 

    That means the stress-inducing, cost-prohibitive elements are FREE!

    • Shipping – both ways = free
    • Printing – all sizes = free
    • Matting – design experts are available for consultation = free
    • Hanging materials – even the nails are included = free

    Insane. Right?!  Take a look at their video….

     

     

    The Framebridge website is easy to navigate and lets you envision the dimensions…

     

    Tyler-foote-finds-framebridge

     

    You can view 27 different frame styles.  Some of my favorites…

     

    Tyler-foote-finds-framebridge-irvine-2
     
    Irvine – modern white

     

    Tyler-foote-finds-framebridge-hatteras

     

    Hatteras – distressed charcoal grey

     

    Tyler-foote-finds-framebridge-marin

     

    Marin – natural wood

     

     

    Tyler-foote-finds-framebridge-burbank-2

     

    Burbank – modern brushed silver

     

     

    Tyler-Foote-Finds-Framebridge-Seabrook

     

    Seabrook – distressed white wood

     

    Print and frame whatever size you want, mat or no mat.  You only pay for the frame.  Again, prices range from $79 – $149. And there are Instagram 5″ x 5″ minis for $39 that you can upload directly from your phone via the Framebridge App

    Dog Art Today readers receive $10 off their first purchase.

    Use coupon code: DOGARTTODAY

    (Note: I receive compensation for referrals and the code does not apply to mini frames.)

    Go ahead and use the promo code to frame your own photos or art if you’d like.

    Order before December 12 to receive your art by December 24.

    To purchase a Tyler Foote Finds: A Compendium of My Ignorance by Moira McLaughlin, photo by Jim Pyle, ($50 for a high-resolution digital file) click on the PayPal button below the image:

    Tyler Foote Finds-framebridge-final-600
     
     

    Email me if you have any questions.

    Cheers!

    xo, Moira and Tyler Foote

  • The Cool Girls by (Dog) Artist Roseanne Burke

     

    Roseanne-burke-the-cool-girls-tilt-pan-600

     

    Roseanne Burke with Harry and Lyra by Moira McLaughlin, 2014

    For the last year, my friend Nevada City artist Roseanne Burke, has been working on a series of 20 encaustic portraits of women artists. As she shared her subjects with me, I began to see a trend; these women loved dogs. Many, like Frida Kahlo, Georgia O’Keeffe, Virginia Woolf, and Marilyn Monroe, I had already featured here on Dog Art Today. A few, such as Mary Cassatt, Josephine Baker, Beatrice Wood and Ruth Asawa, required some research that turned up wonderful photographs and paintings of the artists with their canine companions.

    In the end, it turned out 90% of the women had dogs. And Roseanne has two pups. So, although her exhibition, The Cool Girls: Encaustic Portraits of Remarkable Women, which opens this weekend, doesn’t include a single dog, I see it as much as a celebration of dogs as muses as women as artists.

    I asked Roseanne if I could interview her about this dog/artist connection and she graciously agreed.

    Moira McLaughlin: What was the initial spark of inspiration for this series?

    Roseanne Burke: I had always been intrigued by encaustics, a process of painting with hot wax. And in 2013, I took workshop on it with local artist, Deborah Bridges. Although I had not done much portraiture, as I experimented with the medium, I immediately saw possibilities that I wanted to explore.

    That same year, I watched the PBS documentary Makers: Women Who Make America about the struggle for women’s equality in the United States during the last half of the 20th century. Narrated by Meryl Streep, it featured interviews and archival footage of women from all social strata, from politicians and television stars to flight attendants, coal miners and phone company workers. As a woman who came of age in the 1970’s, I was struck by how hard so many women had fought for the rights we now enjoy and how much we stand to lose if we don’t stand up to the current political backlash against us. The Cool Girls is the intersection of these two events.

     

    Roseanne-Burke-Mary-Cassatt-Portrait-2014

     

    Mary Cassatt by Roseanne Burke, 2014

     

    Mary-Cassatt-with-her-dog-by-edgar-degas

     

    Mary Cassatt with Her Dog by Edgar Degas

    MM: How did you define “remarkable” and make your selections?

    RB: I chose women whose work inspired me personally, who were internationally recognized for their art, and who did other remarkable things with their lives. My research on one woman would lead me to others. And, as I learned how multifaceted each one was, I discovered these women had accomplished so much more than I had been aware of, especially socially and politically. That brought the project full circle for me, since the recent attempts to limit women’s rights was one of the inspirations of the series.

     

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    Josephine Baker by Roseanne Burke, 2014

     

    Josehine-baker-and-her-dogs-Pekingese-Baby-Girl-Brabancon-Fifi-1928

     

    Josephine Baker with Baby Girl and Fifi, 1928

    MM: Do you see a correlation between dogs and art and how would you describe it?

    RB: Dogs are love wrapped in fur. No matter how you are feeling about yourself on any given day, your dog loves you and thinks you are the best. I think artists often go through periods of frustration, self-doubt, artist’s block, and have pretty negative feelings about their work and perhaps their own value. Having a dog, an animal who absolutely loves you unconditionally, just makes you feel valued and sets you back on the right mental path. Maybe that's why so many of these artists had dogs.

     

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    Frida Kahlo by Roseanne Burke, 2014

     

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    Frida Kahlo and Her Dog

    MM: Did you discover other similarities between the women?

    RB: The biggest similarity was their need to create their art. Many of them faced huge economic, social and political obstacles, but the forged ahead and made their art regardless.

    MM: What surprised you the most in your research?

    RB: I was really surprised by how many connections there were between the women. Some were subtle, for example the subject of Toni Morrison’s master’s thesis was suicide in the writings of Virginia Woolf. Some were direct; Josephine Baker and Frida Kahlo were lovers.

    I was also reminded of the power of “sisterhood” as I discovered how these women helped and supported each other. For example, when Yayoi Kusama was having financial problems, Georgia O’Keeffe helped her to find a gallery and patrons and even offered her a place to live. And when Beatrice Wood was in her eighties and wrote her autobiography, Anaïs Nin convinced her own agent to represent her. These generous acts lead me to reflect with gratitude on the fellow artists (men and women) in my life who share information and experiences and help me make sense of the whole process.

     

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    Billie Holiday by Roseanne Burke, 2014

     

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    Billie Holiday with Her Boxer Mister

    MM: You began this series with one dog, Harry, your sweet, mellow 11-year-old Australian Shepherd mix, and then adopted Lyra, a rambunctious 12-week-old Terrier mix. I know you to be a meticulous planner. Do you think you were channeling the fearless spontaneity of one (or more) of these women when you got a puppy in the middle of preparing for this ambitious solo show? If so, who?

    RB: My partner Jim and I had been planning to get another dog for the past two years. I had been looking on Petfinder.com and had applied for a few puppies, but they didn’t work out. When we saw Lyra, we arranged to meet her a few days later and decided that she was the one.

    Once we made the decision, I knew it would all work out. I am a meticulous planner, but sometimes you just have to make a bold move. Everything of value in your life requires some effort or sacrifice. I could definitely use more sleep since we got Lyra, but she is so joyous, spunky, curious, and spontaneous and adds so much to our lives. I don’t really see myself as channeling the spontaneity of any particular woman, but dogs just make your life better – and most of the women seemed to have thought so too.

     

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    Beatrice Wood by Roseanne Burke, 2014

     

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    Beatrice Wood with Her Dachshund, Ojai, Califronia, 1960

    MM: How have Harry and then Lyra informed your work?

    RB: Dogs just make you happy. And I do better work when I’m happy. They help me to stay in the moment and stay focused on the now. Even though Lyra demands a lot of time, strangely that has helped me stick to a very organized and regimented schedule. I’ve actually made more art since I got her.

    MM: You are an avid reader of Dog Art Today and my best tipster, so I know you know your dog art. What are your three favorite pieces of dog art?

    RB: Birmingham 63 by Jack Levine, 1963, Noel and Bob by Joan Brown, 1964, and Puppy by Jeff Koons, 1992.

     

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    Georgia O'Keeffe by Roseanne Burke, 2014

     

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    Georgia O'Keeffe and Her Chows

    MM: I consider you a dog artist because you are a painter with dogs. And, I love the one painting I know of yours that features a dog, Ike’s Quarter Cafe. Do you have plans to paint your own dogs in upcoming works?

    RB: I had always planned to commission a painting of Harry from one of many wonderful “dog artists.” Since we got Lyra, I’ve been taking lots of photos of the two of them together, and have been encouraged to do a painting, so we’ll see. Right now, I’m pretty focused on the women.

     

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    Alice Walker by Roseanne Burke, 2014

     

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    Alice Walker with Her Dog Miles by Scott Campbell

    Thank you, Roseanne.  I'm so inpired by these women and your "remarkable" work.

    Visit Roseanne Burke's website to see to see all 20 women.

    If you’re near Nevada County, please come to the opening reception for The Cool Girls: Encaustic Portraits of Remarkable Women this Saturday, April 26 from 4 – 7 pm.

    Szabo Vineyards Tasting Room
    316 Broad Street
    Nevada City, California 95959
    Exhibition runs until May 30, 2014.

    Well-behaved dogs are welcome.*

    *Tyler Foote was asked to leave after barking at a sassy Dachshund.

  • Madame Charpentier With Her Children and Dog by August Renoir

     

    Madame-GeorgesCharpentier-with-her-children-and-dog-by-August-REnoir-1878

     

    Madame Georges Charpentier With Her Children and Dog by August Renoir, 1878

    Love this.

    Via Pinterest via The Met.

  • National Tyler Foote Day

    Today is the two-year anniversary of Tyler Foote and I meeting.

    He has something to say…

     

     

    Art Talk with Tyler Foote view on YouTube

    We're getting off the computer now to go have some fun in town.

    Thank you for being my boy, Tyler Foote.

    Love, Moira.

  • Katherine Carver Interviews Moira McLaughlin

     

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    dox-ZENS, works in progress and Tyler Foote with the dox-ZENS, 2014
     
     
    Katherine Carver is an accomplished photographer and blogger.  She writes about her Sheltie muses, Biscuit (1992 – 2013), and Victory at Biscuit's Space.  She also features in-depth interviews with dog-centric artists.  I feel very privileged that she included me.  Click here to read the interview in which we discuss my background, my conflict with the art world, and the genesis of Dog Art Today.
     
    Thank you, Katherine!
     
    P.S. If you would like Katherine to consider you for an interview visit her submissions page.   It was a fantastic experience.  I highly recommend it as a way view your work from a new perspective.
  • Seated Woman With Dog by Milton Avery at Christie’s

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    Seated Woman with Dog by Milton Avery, c. 1936.  Photo credit: Christie's Images Ltd. 2013 


    The American Art sale at Christie's New York this Thursday, May 23, 2013 will include Seated Woman with Dog by Milton Avery (1885-1965).  The 18 x 24 inch oil on board is estimated at $150,000 – $250,000.  It is Lot 105.

    Last week Christie's Post-War and Contemporary Art sales set a record $638,615,900 in one week, including the evening sale on May 15th, which the raised $495,021,500, the highest sale total in auction history, including 16 new auction records for the foremost artists of the last 60 years.



    It will be interesting to see if Avery's dog breaks any records.

    Two Dog Art Today favorites, Nancy Schutt and Judy Henn, cite Milton Avery as an influence. 

    For more information and to preview the American Art Sale visit Christie's.

  • Tyler Foote* by Angie Ketelhut

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    Tyler Foote* by Angie Ketelhut


    Artist and longtime Dog Art Today reader Angie Ketelhut surprised me with this painting of my dog Tyler Foote* in all his handsome, farm dog glory.  I know I'm biased, but I think it's one of her best portraits.


    Thank you, Angie.


    Commission a portrait of your dog at Pet Portraits by Angie.

    * Tyler Foote is a road in Nevada County, California built in 1913 by Arthur DeWint Foote who was artist and writer Mary Hallock Foote's
    husband. Tyler Foote Road connectes North Columbia, California to a town called
    Cherokee that used to be called Tyler.   I'm not sure why the town was called Tyler, but I plan to find out.

  • Dog in Mourning by Henry Bacon

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    Dog in Mourning by Henry Bacon, 1870


    I had the privilege to attend Boston College, class of 1989.  Patriots’ Day, the day of the Boston Marathon, is an event like no other.   Picture July 4th, spring break, and the Super Bowl rolled into one.  Yesterday broke my heart.  Boston will recover, but that beautiful, heady, quintessentially New England civic celebration is now history.

    Via Museum of Fine Arts Boston.