Tag: dog art

  • Beasts of Burden and Compassion Arts Festival NYC

     

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    Sacrifice by Jane O'Hara, 2005

     

    New York friends, I wanted to remind you that "Beasts of Burden: Our Complex Relationship with Animals" will be on view October 20 – 22 in NYC. 

    The exhibition is part of the Compassion Arts Festival, a weekend of song, artistry, discussion, film, and performances reflecting our multifaceted relationships with the earth and the animals we share it with.

    There are two "Beast of Burden" events, the art show and a multimedia performance by curator, artist, and activist, Jane O'Hara.

    If there's one piece that exemplifies the show for me, its Jane's Sacrifice (above), a 5-foot tall screen that depicts nine animals wearing vestments of the companies that killed them. It's inspired by iconic paintings of Christian martyrs and the notion that millions of animals sacrifice their lives to powerful forces everyday in similarly barbaric ways.

    I think it will be moving to see this piece in person.

    Also, I'm proud to have my work, Twelve dox-ZENs, included.

     

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    Twelve dox-ZENs by Moira McLaughlin, 2014

    I produced this work in the in the wake of the death of my beloved longhaired Dachshund named Darby. For months, I was crippled by grief and creative paralysis. 

    Finally, I decided to paint dozens of sumi-e ink Darbys on the pages of a deconstructed book, Buddhism and Zen by Nyogen Senzaki and Ruth Strout McCandless. The series is a meditation on the Buddhist concept that the mind is an endless cycle of three processes: craving, acting, and discontentment.  

     

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    dox-ZEN XII

     

    Exhibition: "Beasts of Burden: Our Complex Relationship with Animals"

    TUF Gallery/O’Hara Projects
    208 East 73 St.
    New York, NY 10021

    Opening Reception and Book Signing: Friday, Oct 20, 2017, 5 – 8 pm (vegan friendly & free to the public)

    Gallery Hours: Saturday, Oct. 21 and Saturday, Oct. 22, 11 am – 6pm

    Performance: "Reflections on Beasts of Burden by Jane O'Hara"

    Saturday, October 21, 7:30pm

    Symphony Space/Leonard Nimoy Theatre
    2537 Broadway
    New York, NY10025

    Tickets for Jane's multimedia presentation are $20 in advance and $25 day of show available here.

    Visit Beasts of Burden for more information about this exhibition and performance.

    For information about all the animal-centric events happening this weekend visit Compassion Arts Festival.

    P.S. Sadly I won't be able to attend. If you have a chance to take photos, I would love to see them. Tag me on Instagram and Twitter.

    Thank you so much.  Enjoy!

     

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  • Kidnapped by Breast Cancer

     

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    I Have to Tell You Something
     
     
    I've always been afraid of windowless vans. They're kidnapper vans, right? So I'm usually on the lookout for them.
     
    Unfortunately, my windowless van came disguised. It appeared as a cheery phone call from a nurse the day after my routine mammogram, October 7, 2014.
     
    "It's not cancer," the nurse said.
     
    Of course, I thought. I've never been called back for suspicious tissue since I began my yearly mammograms 15 years ago at age 35 (early in life because my mother and both grandmothers had breast cancer. None of them died from it).
     
    Mentally ending the call, I realized the nurse was still talking.
     
    "It's called LCIS. But it's technically not considered cancer."
     
    Her voice streamed through receiver as I Googled a second opinion…
     
    LCIS is Lobular Carcinoma In Situ.
     
    There is was, "Carcinoma."
     
    BAM. The van's door slammed shut on me and I was kidnapped by cancer.
     
    Strangely, I didn't know it yet.

     

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    My First Day at the Cancer Center — Really?!
     
     
    It's true. LCIS is not cancer. It's abnormal cells that indicate you might get cancer, or you might already have it. It sets you on a fact-finding mission that starts with an ultrasound. I went for the procedure that morning even though I was still sore and exhausted from the mammogram.
     
    Physically, mammograms are not a big deal. But since 1999 I have been debilitated by fibromyalgia. I haven't written about that here because Dog Art Today has been my healthy avatar, a blog by someone who isn't in chronic pain.
     
    The ultrasound showed areas of "architectural distortion." This prompted a core needle biopsy, which feels like being upholstered by a staple gun. It hurt. A lot.
     
    The doctor removed tissue and placed a titanium clip inside my breast. The clip was an anchor for a wire that would poke outside my body on the day of my lumpectomy that was now scheduled.
     
    This all felt extreme, since I did not have cancer. I had LCIS. Mistakenly, I had latched onto the first part of the diagnosis (it's not cancer) and detached from the second part (it could be).

     

    Moira-McLaughlin-Breast-Scan

     

    The Trunk Not the Leaves
     
     
    The first chink in that detachment came from the nurse assisting the biopsy that day. When the doctor left the room, she confided that 20 years ago she had had cancer that resulted in a hysterectomy. I thanked her for sharing, assuming her story was one of post-cancer normality.
     
    It wasn't.
     
    When the doctor left the room again, she told me how hard it was. Not because of the cancer, but because of the friends who fell away from her. Looking back, she said, it was for the best. It ended up being an efficient, though painful, way to rid herself of toxic people all at once.
     
    It was a disturbing message, but one that didn't apply to me. I certainly didn't have toxic people in my life. And I didn't have cancer.

     

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    My Oncologist's Door
     

    But, I was being treated at the cancer center and that meant I needed a team. So I met with an energetic surgeon with a penchant for drawing pictures with Sharpies (his comparison of lobules to broccoli was quite helpful), a young, beautiful, Chinese oncologist with instincts of a Jedi, and a charming radiologist of the cashmere-clad horsey set from Napa.

    I felt the worst for the radiologist. He was passionate about his graphs and flow charts, eager to share his wealth of the most current research. But it seemed to me that I was wasting his professorial office hours for a college course I intended to drop. 
     
    But as he dissertated on what a lumpectomy might reveal, it happened, I experienced a mental eclipse. Something dark sent an internal memo to my conscious brain. It read, "I am a cancer patient. And this is not going to be 'journey' or even a 'battle,' both terms that imply agency. This was a hostage situation, one I might not survive."

     

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    Tyler Foote:Dark Night

     

    Being sick is hard work. Metaphorically speaking, I was transported to a labor camp not a cell.

    My mother, a three-time cancer patient, compares it to being Shanghaied — arriving doped and alone in a foreign country. And in this new world, where you don't speak the language, you're expected to get your masters degrees in medicine, financial planning, healthcare administration, and existential philosophy.

    Your will and your advance healthcare directive are due immediately.

    And, most devastating, you need to plan for someone to take care of your dog. Who will understand that he likes to go out three times before 10am. That the words "indoor bark" will turn down his volume. That he loves to catch his small, orange Chunky ball in his mouth, and that he needs to have the fur between his toes checked for foxtails every time he comes in from a walk.

    It was too much. But it all had to be done. By me.

    The lumpectomy went well.

    The pathology report did not.

     

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    Waiting for My Pathology Report

     

    I had cancer. Two kinds, my surgeon told me as he read the report just coming in on his laptop: Ductal Carninoma in Situ (DCIS) and Invasive Lobular Carcinoma (ILC).

    Silence, as he stared at the screen.

    "Well, obviously I'm disappointed," I said.

    Finally he looked at me and said, "You're going to have your feelings. But it's better to know."

    His lack of drama was reassuring, like a plumber telling you the clog is on your property, not the city's. The old oak is going to have to come down. Sad, yes, but do-able. Let's get to work.

    But things got complicated fast. I was scheduled for a lymph node removal to see if the cancer had spread. But a pre-op MRI showed suspicious tissue in my other breast. 

    My Jedi oncologist postponed my surgery and ordered another MRI.  It showed probable cancer in my other breast. Another core needle biopsy confirmed it was cancer.

    Now I was bombarded with decisions as I felt rogue cells metastasizing with each passing second. And here's the truth that Pinktober doesn't convey, breast cancer is grotesque.

    Bilateral mastectomy with or without concurrent reconstruction. Implant rupture. Tissue rotation. Nipple preservation. Areola tattooing. Massive scaring. Excessive bleeding. Breast prostheses. Flap failure. And "the chance that the cosmetic result will not be as pleasing as expected."

     

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    Breast Cancer is Not Pretty

     

    After hours of conversations with my mom (my long distance guru) and my sister (my nearby caregiver), I decided to stay with my local team in Grass Valley, a small, rural community in Northern California.

    I had two surgeries for lumpectomies, lymph node removal, and a reexcision. My prognosis worsened with each new pathology update. But after my second surgery, things turned around. My cancer was stage 1. It hadn't spread to my lymph nodes, and I didn't need chemo.

    (This is for other breast cancer patients. Feel free to skip. I had LCIS, DCIS, ILC, ER positive, PR positive, HER Negative, BRCA negative, and an ONCO Score of 10.)

    A cancer diagnosis is not like in the movies, that scene when the doctor explains the whole situation to the character and the audience. A full diagnosis comes in pieces, from labs across the country that lose your tissue sample and take weeks to respond, from  MRIs that are unreadable for no known reason and need to be re-administered, from corporations who own the rights to genetic testing that your insurance first has to approve. It takes weeks, and for me months, to get the full picture.

     

    Moira-McLaughlin-Puzzle

     

    Unfinished Business at the Cancer Center

     

    Surprisingly, I managed the surgeries and the six weeks of radiation pretty well. I was exhausted and in pain, but I was functioning. I posted on this blog for a while and was able to make art and mount several shows for the DANK artist collective I was in. 

    Sadly, the nurse who told me cancer could spread to relationships more aggressively than to cells turned out to be right. Not everyone wants to deal with your cancer. And it becomes clear in a terrifying way that you are only the protagonist in your own life. To others, you're a bit player, easily dropped.

    The flip side of this free fall is that people surprise you in unexpected and beautiful ways.

    But, to be clear, I'm not saying  "Cancer is a gift."

    This concept enrages me because it victimizes patients who are scared, hopeless, angry, and alone. I felt myself butting up against it (and colluding with it) as I told people about my diagnosis. I always had a sunny lilt in my voice. I'll be fine, I told them. It was phony, but it was an easier narrative to say out loud, and marketing companies had done an excellent job laying the base for how pretty and empowering breast cancer can be.

    Former breast cancer patient (I also hate the word "survivor") Barbara Ehrenreich, author of Bright-Sided: How Positive Thinking is Undermining America gets it right in her article "Smile: You've Got Cancer," when she notes…

    In the mainstream of breast cancer culture, there is very little anger, no mention of possible environmental causes, and few comments about the fact that, in all but the more advanced, metastasized cases, it is the "treatments", not the disease, that cause the immediate illness and pain. In fact, the overall tone is almost universally upbeat.

    When I couldn't put on that upbeat performance, I isolated. It's why I stopped blogging. And why It's been so hard to start again.

     

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    Is this helpful?

     

    The truth is I had the "good kind of cancer" and it is a nightmare.

    It's been over two years since my treatment ended and I am still struggling. Granted, fibromyalgia exacerbated my pain and my genetics have made my depression clinical. But this is what it means to have cancer. You always have it, even when technically you don't. As they say on the breast cancer message boards when they quote The Eagles' Hotel California, "You can check out any time, but you can never leave."

    Writing this is post is a sign that I'm feeling better, though I still feel removed from many of the things I used to love. I've had a crippling case of "why bother." But today I feel well enough to Photoshop a selfie for you so you'll believe that I'm on the mend…

     

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     Moira McLaughlin: Self Portrait with Cancer

     

    I don't know if Dog Art Today will remain the same or how often I will post. And I am warning you now that I don't feel neutral about the man in the White House, so Trump voters feel free to delete me from your inbox. But I'm here. I've missed connecting with you. And the dog I saved five years ago has saved me every day since I was kidnapped.

     

     

    Tyler-Foote-New-Perspective

     New Perspective

     

    I look forward to sharing more from my new perspective.

    P.S. If you can't remember the last time you had a mammogram, call and schedule yours right now. My surgeon is right. It's better to know.

     

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  • DANK Inaugural: Nevada City, California 7.11.14 – 8.3.14

     

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    Tyler Foote aka DANKsy by Moira McLaughlin, 2014

    I'm a founding member of a ten-person Nevada City artists' collective called DANK

     

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    We're interested in post-Great Recession social issues, the rural ideal, and an anti-urban aesthetic grounded in the legacy of the California Gold Rush and the future of our planet…

     

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    Vintage Postcard of Nevada City, California, 1908

    A generous patron loaned us this empty building to have an art show…

     

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    300 Spring St., Nevada City, California 95959

    We're artists, so we painted it…

     

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    Sheila Cameron Gets DANK

    Tyler Foote and I are collaborating on a piece for the show. Here's a sneak peek…

     

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    Tyler Foote Finds by Moira McLaughlin and Tyler Foote

    The show, DANK Inaugural, runs from July 11 to August 3, 2014. The opening reception is July 11, 5-9 pm.

    Dogs are welcome. In fact, I am working on a second piece, Precious, that invites dogs to interact with it, so dogs are encouraged.

    If you and your pup ever thought about visiting Nevada City, come this summer and see DANK.

    Email me your address, and I'll send you a postcard…

     
    Dank-postcard-photo-by-moira-mclaughlin-designed-by-dylan-sherwood-mcconnell-unframed
     
    DANK

    Follow us on Facebook.

    Visit our website.

  • Nevada City Alchemy: If An Artist Dog Poops In The Forest…

     

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    Nevada City Alchemy by Daniel Brickman via his website

    ART OnSite is an ambitious environmental art installation featuring 20 works by 8 artists presented along Nevada City’s Tribute Trail, a popular hiking path that runs beside Deer Creek, one of the earliest and richest locations of the California Gold Rush. The goal of the project, two years in the making and conceived by Chair Nancy Fleming and Vice Chair Nancy Nelson, was to draw the community together through the nexus of art. Unfortunately, the enterprise was marred by violence, as one of the artworks proved too offensive for a person or persons in our town, and was almost completely destroyed, and then removed to a secret location for safekeeping.

    What, you might wonder, would be so egregious to a permissive community like ours, known for its (barely) underground cannabis economy and alternative lifestyles? It was 5 larger-than-life, gold-patinaed dog poop statues made of resin entitled Nevada City Alchemy.

     

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    Nevada City Alchemy by Daniel Brickman via his website

     

    The artist, Daniel Brickman, created it in response to one of his early visits to the creek when he spent hours watching dog owners enjoy the trail while their pets left behind their droppings. Daniel, who enjoys working with clay and devising his own malleable materials such as sawdust and glue, was struck by the individuality of each poop, their statuesque nature, and by what he saw as the parallel between owner-permitted dog defecation and the pollution of equally negligent gold miners of the 1850’s. Both groups left waste with disregard to the environment and their fellow citizens.

     

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    Painting of 49ers via Gold Country Yacht Club

    When I first heard about the golden dog poops, I was excited. Scatological art can cause a sensation and it’s on trend; witness The Holy Virgin Mary by Chris Ofili, Complex Shit by Paul McCarthy, and Another Shit Show by Will Kurtz. I told Nancy Nelson, this could be an exciting draw for dog-art lovers near and far, and it would dovetail nicely with the project’s NEA Our Town Grant’s goal to help revitalize the local economy. This shit could be big.

    Sadly, less than two weeks after ART OnSite’s debut on September 7, 2013, one of the golden dog poops was smashed to pieces. And, over the next few months, three more were destroyed before Daniel and the two Nancys retrieved the last one.

     

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    Daniel Brickman with one of his pieces via YubaNet

    My dog Tyler Foote and I were lucky; we got to see Nevada City Alchemy in situ. And it was sensational. Getting directions via word of mouth, trekking alone into unknown territory as wildfires were burning nearby and temperatures were breaking records, I worried if we had enough water, if I had taken the right path, even if I knew what I was looking for and would know it when I saw it. I thought about turning back. I was tired and my dog was panting…but there was gold out there…I had to see it.

    I thought about the 49ers, the men who dashed across the country, and the women who said yes to their insane certainty. I thought about arriving at this creek when it was inhabited by the Maidu, the tribe who peacefully lived off its abundance for centuries before get-rich-quick whites descended on it with their pans, picks, and shovels. And, I thought about how many well-known groups and anonymous individuals had had fought and continue to fight to restore the South Yuba Watershed to its magnificence.

     

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    Vintage postcard of Deer Creek below Nevada City

    Soon, it was almost noon and I was exhausted. I considered turning back, but by God, I had to see it. Gold fever had struck.

    A man and a teen appeared from the opposite direction.

    “Is the golden dog poop ahead?” I asked.

    “Yes,” the man laughed.

    “Is it on the right or the left?” I asked.

    He paused,  “I can’t tell you can I?  Isn’t it supposed to be a scavenger hunt?”

    My expression said, “Really?”

    He laughed again.  “Don’t worry.  You’ll see it.”

    They hiked past me, and I was Dorothy with my dog Toto, left with only a path to follow and my own determination.

     

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    Which way is the golden dog poop?

     
    The trail bent around a tree and we crossed the irrigation ditch. And then I gasped. I saw it, almost beneath me, the golden dog poop. Eurkea!

    The legend, the quest, the doubt, the aloneness, the smell of fires nearby and my own sweat, the crunch of September leaves, historical predicates, my tired dog, and a goal achieved: it was one of the most evocative art experiences of my life.

    We turned back and went home, sated.

    Soon after, the iconoclasts hit. And one by one, the false idols were destroyed.

    There was righteous chirping by some who were pleased that the "stuff" defiling nature was gone, and heartbreak for some who were dismayed that our community proved too provincial to handle challenging art.

    On a chilly February morning Tyler Foote and I joined the two Nancys to pick up the shards.

     

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    Picking up the pieces with Tyler Foote

    The two Nancys were disappointed. I promised them that I would tell the story of Nevada City Alchemy and ART OnSite (which still consists of 15 fascinating multimedia artworks along the 8-mile trail) and let fellow dog-art lovers know that there is a place where you and your dog can explore history, enjoy nature, experience art, and, if you look closely, find a shard of the legendary golden dog poop, a remnant of the controversy in our tiny, complicated town, Nevada City, CA.

     

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    Tyler Foote, Nancy Fleming, and Nancy Nelson with a wheelbarrow of golden shards

    For more information visit ART OnSite.

    Daniel Brickman's website.

  • The Cool Girls by (Dog) Artist Roseanne Burke

     

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    Roseanne Burke with Harry and Lyra by Moira McLaughlin, 2014

    For the last year, my friend Nevada City artist Roseanne Burke, has been working on a series of 20 encaustic portraits of women artists. As she shared her subjects with me, I began to see a trend; these women loved dogs. Many, like Frida Kahlo, Georgia O’Keeffe, Virginia Woolf, and Marilyn Monroe, I had already featured here on Dog Art Today. A few, such as Mary Cassatt, Josephine Baker, Beatrice Wood and Ruth Asawa, required some research that turned up wonderful photographs and paintings of the artists with their canine companions.

    In the end, it turned out 90% of the women had dogs. And Roseanne has two pups. So, although her exhibition, The Cool Girls: Encaustic Portraits of Remarkable Women, which opens this weekend, doesn’t include a single dog, I see it as much as a celebration of dogs as muses as women as artists.

    I asked Roseanne if I could interview her about this dog/artist connection and she graciously agreed.

    Moira McLaughlin: What was the initial spark of inspiration for this series?

    Roseanne Burke: I had always been intrigued by encaustics, a process of painting with hot wax. And in 2013, I took workshop on it with local artist, Deborah Bridges. Although I had not done much portraiture, as I experimented with the medium, I immediately saw possibilities that I wanted to explore.

    That same year, I watched the PBS documentary Makers: Women Who Make America about the struggle for women’s equality in the United States during the last half of the 20th century. Narrated by Meryl Streep, it featured interviews and archival footage of women from all social strata, from politicians and television stars to flight attendants, coal miners and phone company workers. As a woman who came of age in the 1970’s, I was struck by how hard so many women had fought for the rights we now enjoy and how much we stand to lose if we don’t stand up to the current political backlash against us. The Cool Girls is the intersection of these two events.

     

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    Mary Cassatt by Roseanne Burke, 2014

     

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    Mary Cassatt with Her Dog by Edgar Degas

    MM: How did you define “remarkable” and make your selections?

    RB: I chose women whose work inspired me personally, who were internationally recognized for their art, and who did other remarkable things with their lives. My research on one woman would lead me to others. And, as I learned how multifaceted each one was, I discovered these women had accomplished so much more than I had been aware of, especially socially and politically. That brought the project full circle for me, since the recent attempts to limit women’s rights was one of the inspirations of the series.

     

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    Josephine Baker by Roseanne Burke, 2014

     

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    Josephine Baker with Baby Girl and Fifi, 1928

    MM: Do you see a correlation between dogs and art and how would you describe it?

    RB: Dogs are love wrapped in fur. No matter how you are feeling about yourself on any given day, your dog loves you and thinks you are the best. I think artists often go through periods of frustration, self-doubt, artist’s block, and have pretty negative feelings about their work and perhaps their own value. Having a dog, an animal who absolutely loves you unconditionally, just makes you feel valued and sets you back on the right mental path. Maybe that's why so many of these artists had dogs.

     

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    Frida Kahlo by Roseanne Burke, 2014

     

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    Frida Kahlo and Her Dog

    MM: Did you discover other similarities between the women?

    RB: The biggest similarity was their need to create their art. Many of them faced huge economic, social and political obstacles, but the forged ahead and made their art regardless.

    MM: What surprised you the most in your research?

    RB: I was really surprised by how many connections there were between the women. Some were subtle, for example the subject of Toni Morrison’s master’s thesis was suicide in the writings of Virginia Woolf. Some were direct; Josephine Baker and Frida Kahlo were lovers.

    I was also reminded of the power of “sisterhood” as I discovered how these women helped and supported each other. For example, when Yayoi Kusama was having financial problems, Georgia O’Keeffe helped her to find a gallery and patrons and even offered her a place to live. And when Beatrice Wood was in her eighties and wrote her autobiography, Anaïs Nin convinced her own agent to represent her. These generous acts lead me to reflect with gratitude on the fellow artists (men and women) in my life who share information and experiences and help me make sense of the whole process.

     

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    Billie Holiday by Roseanne Burke, 2014

     

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    Billie Holiday with Her Boxer Mister

    MM: You began this series with one dog, Harry, your sweet, mellow 11-year-old Australian Shepherd mix, and then adopted Lyra, a rambunctious 12-week-old Terrier mix. I know you to be a meticulous planner. Do you think you were channeling the fearless spontaneity of one (or more) of these women when you got a puppy in the middle of preparing for this ambitious solo show? If so, who?

    RB: My partner Jim and I had been planning to get another dog for the past two years. I had been looking on Petfinder.com and had applied for a few puppies, but they didn’t work out. When we saw Lyra, we arranged to meet her a few days later and decided that she was the one.

    Once we made the decision, I knew it would all work out. I am a meticulous planner, but sometimes you just have to make a bold move. Everything of value in your life requires some effort or sacrifice. I could definitely use more sleep since we got Lyra, but she is so joyous, spunky, curious, and spontaneous and adds so much to our lives. I don’t really see myself as channeling the spontaneity of any particular woman, but dogs just make your life better – and most of the women seemed to have thought so too.

     

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    Beatrice Wood by Roseanne Burke, 2014

     

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    Beatrice Wood with Her Dachshund, Ojai, Califronia, 1960

    MM: How have Harry and then Lyra informed your work?

    RB: Dogs just make you happy. And I do better work when I’m happy. They help me to stay in the moment and stay focused on the now. Even though Lyra demands a lot of time, strangely that has helped me stick to a very organized and regimented schedule. I’ve actually made more art since I got her.

    MM: You are an avid reader of Dog Art Today and my best tipster, so I know you know your dog art. What are your three favorite pieces of dog art?

    RB: Birmingham 63 by Jack Levine, 1963, Noel and Bob by Joan Brown, 1964, and Puppy by Jeff Koons, 1992.

     

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    Georgia O'Keeffe by Roseanne Burke, 2014

     

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    Georgia O'Keeffe and Her Chows

    MM: I consider you a dog artist because you are a painter with dogs. And, I love the one painting I know of yours that features a dog, Ike’s Quarter Cafe. Do you have plans to paint your own dogs in upcoming works?

    RB: I had always planned to commission a painting of Harry from one of many wonderful “dog artists.” Since we got Lyra, I’ve been taking lots of photos of the two of them together, and have been encouraged to do a painting, so we’ll see. Right now, I’m pretty focused on the women.

     

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    Alice Walker by Roseanne Burke, 2014

     

    Alice-walker-with-her-dog-miles-coyote-shaman

     

    Alice Walker with Her Dog Miles by Scott Campbell

    Thank you, Roseanne.  I'm so inpired by these women and your "remarkable" work.

    Visit Roseanne Burke's website to see to see all 20 women.

    If you’re near Nevada County, please come to the opening reception for The Cool Girls: Encaustic Portraits of Remarkable Women this Saturday, April 26 from 4 – 7 pm.

    Szabo Vineyards Tasting Room
    316 Broad Street
    Nevada City, California 95959
    Exhibition runs until May 30, 2014.

    Well-behaved dogs are welcome.*

    *Tyler Foote was asked to leave after barking at a sassy Dachshund.

  • Jane O’Hara Profiled on Hund und Kunst

     

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    Dog Looking Up by Jane O'Hara, 2004

    Viennese dog artist and dog-art blogger Petra Hartl presents a beautiful retrospective of ten years of Jane O'Hara's dogs at Hund und Kunst.   The Google translation is here.

    Jane O'Hara is curating "Beasts of Burden" in Boston, March 13 – May 5, 2014.

  • Katherine Carver Interviews Moira McLaughlin

     

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    dox-ZENS, works in progress and Tyler Foote with the dox-ZENS, 2014
     
     
    Katherine Carver is an accomplished photographer and blogger.  She writes about her Sheltie muses, Biscuit (1992 – 2013), and Victory at Biscuit's Space.  She also features in-depth interviews with dog-centric artists.  I feel very privileged that she included me.  Click here to read the interview in which we discuss my background, my conflict with the art world, and the genesis of Dog Art Today.
     
    Thank you, Katherine!
     
    P.S. If you would like Katherine to consider you for an interview visit her submissions page.   It was a fantastic experience.  I highly recommend it as a way view your work from a new perspective.
  • Tyler Foote* by Angie Ketelhut

    Tyler-foote-dog-painting-by-angie-ketelhut

    Tyler Foote* by Angie Ketelhut


    Artist and longtime Dog Art Today reader Angie Ketelhut surprised me with this painting of my dog Tyler Foote* in all his handsome, farm dog glory.  I know I'm biased, but I think it's one of her best portraits.


    Thank you, Angie.


    Commission a portrait of your dog at Pet Portraits by Angie.

    * Tyler Foote is a road in Nevada County, California built in 1913 by Arthur DeWint Foote who was artist and writer Mary Hallock Foote's
    husband. Tyler Foote Road connectes North Columbia, California to a town called
    Cherokee that used to be called Tyler.   I'm not sure why the town was called Tyler, but I plan to find out.

  • David Shrigley: I’m Dead Stuffed Dog Artist Nominated for Turner Prize

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    David Shrigley poses with "I'm Dead" photo credit Empics


    David Shrigley, the 44-year old Glasgow based artist known for his darkly humorous line drawings, was nominated for the Turner Prize, Britain's most prestigious contemporary art award.


    He was recognized for the spring retrospective of his work, Brain Activity, at the Hayward Gallery in London.  The exhibition included drawings, paintings, film, and a stuffed dog holding an "I'm Dead" sign. The website for the show is an interactive treat (my favorite is the screen where you can turn the light switch on and off…it is endlessly entertaining).

    I highly recommend you visit the Brain Activity website to see more of David's work.   It's not creepy, serious, here-are-dead-stuffed-animals-to-make-you-uncomfortable work.  It's thoughtful and truly hilarious.  In fact, according to Nick Clark's article in The Independent, the director of Tate Britain and chair of the jury, Penelope Curtis, believes “[Shrigley] had been wrongly overlooked for a long time because his work suggested itself as being just funny and therefore marginal…Just because it’s funny, doesn’t mean it’s not good.”

    Good luck, David.  The winner is announced December 2, 2013.  I think he'll take it.

    See all four nominees here.

    Via The Independent.

  • 100 Geralds: Lazerian’s Paper Dog Sculpture Project

    Gerald-paper-dog-art-goo-for-brothers

    027 CheonWang No.4 by Goo For Brothers

    Lazerian is Liam Hopkins' design workshop, founded in 2006, based in a former hat factory in Manchester, England.   Gerald is Lazerian's mascot, part of a 2008 rebranding inspired by a Bracco Italiano, a hunting dog known for its devotion to its master, and meant to evoke the qualities of loyalty, heritage, and affection that Lazerian instills in its projects.  The new image inspired Hopkins and 3D designer Richard Sweeney  create "a blueprint for a free standing paper dog that anyone could make at home with a sharp knife, glue and a healthy degree of patience."


    In 2009, the pattern was perfected and launched at the 100% Design event in London. The flat pack Geralds completely sold out.  Hopkins and Sweeney then created customized Geralds, Dazzle and Pixel, that were also sensations.   In 2011, Hopkins sent Gerald patterns to 100 of his favorite artists, designers, and illustrators around the world and the Gerald Project was born.


    Now, each Gerald is a limited edition of 500 available for purchase for £20 ($30).  There will be an exhibition, Gerald & James (of the British paper company James Cropper that produces the Geralds) and a book launch party at 60 READE in New York City, May 17, 2013 to May 19, 2013. Visit Gerald's website or like him on Facebook for more information.  


    Hat tip to Rosanne Burke for letting me know about Gerald via Laughing Squid.

    Gerald-paper-dog-art

    100 Geralds

    Gerald-paper-dog-art-peggy

    029 Peggy by Grande Dame

    Gerald-paper-dog-art-argos

    018 Argos by David Bowcutt

    Gerald-paper-dog-art-sirius

    034 Sirius by Jack Hughes

    Gerald-paper-dog-art-woof-grr-yap

    006 Woof, Grrr, Yap by Andy Smith

    Gerald-paper-dog-art-roofus

    021 Roofus by Design By House

    Gerald-paper-dog-art-bad-dogg

    022 Bad dogg dogg from the hood by DR. ME