Category: 21st Century Dog Art

  • Nevada City Alchemy: If An Artist Dog Poops In The Forest…

     

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    Nevada City Alchemy by Daniel Brickman via his website

    ART OnSite is an ambitious environmental art installation featuring 20 works by 8 artists presented along Nevada City’s Tribute Trail, a popular hiking path that runs beside Deer Creek, one of the earliest and richest locations of the California Gold Rush. The goal of the project, two years in the making and conceived by Chair Nancy Fleming and Vice Chair Nancy Nelson, was to draw the community together through the nexus of art. Unfortunately, the enterprise was marred by violence, as one of the artworks proved too offensive for a person or persons in our town, and was almost completely destroyed, and then removed to a secret location for safekeeping.

    What, you might wonder, would be so egregious to a permissive community like ours, known for its (barely) underground cannabis economy and alternative lifestyles? It was 5 larger-than-life, gold-patinaed dog poop statues made of resin entitled Nevada City Alchemy.

     

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    Nevada City Alchemy by Daniel Brickman via his website

     

    The artist, Daniel Brickman, created it in response to one of his early visits to the creek when he spent hours watching dog owners enjoy the trail while their pets left behind their droppings. Daniel, who enjoys working with clay and devising his own malleable materials such as sawdust and glue, was struck by the individuality of each poop, their statuesque nature, and by what he saw as the parallel between owner-permitted dog defecation and the pollution of equally negligent gold miners of the 1850’s. Both groups left waste with disregard to the environment and their fellow citizens.

     

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    Painting of 49ers via Gold Country Yacht Club

    When I first heard about the golden dog poops, I was excited. Scatological art can cause a sensation and it’s on trend; witness The Holy Virgin Mary by Chris Ofili, Complex Shit by Paul McCarthy, and Another Shit Show by Will Kurtz. I told Nancy Nelson, this could be an exciting draw for dog-art lovers near and far, and it would dovetail nicely with the project’s NEA Our Town Grant’s goal to help revitalize the local economy. This shit could be big.

    Sadly, less than two weeks after ART OnSite’s debut on September 7, 2013, one of the golden dog poops was smashed to pieces. And, over the next few months, three more were destroyed before Daniel and the two Nancys retrieved the last one.

     

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    Daniel Brickman with one of his pieces via YubaNet

    My dog Tyler Foote and I were lucky; we got to see Nevada City Alchemy in situ. And it was sensational. Getting directions via word of mouth, trekking alone into unknown territory as wildfires were burning nearby and temperatures were breaking records, I worried if we had enough water, if I had taken the right path, even if I knew what I was looking for and would know it when I saw it. I thought about turning back. I was tired and my dog was panting…but there was gold out there…I had to see it.

    I thought about the 49ers, the men who dashed across the country, and the women who said yes to their insane certainty. I thought about arriving at this creek when it was inhabited by the Maidu, the tribe who peacefully lived off its abundance for centuries before get-rich-quick whites descended on it with their pans, picks, and shovels. And, I thought about how many well-known groups and anonymous individuals had had fought and continue to fight to restore the South Yuba Watershed to its magnificence.

     

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    Vintage postcard of Deer Creek below Nevada City

    Soon, it was almost noon and I was exhausted. I considered turning back, but by God, I had to see it. Gold fever had struck.

    A man and a teen appeared from the opposite direction.

    “Is the golden dog poop ahead?” I asked.

    “Yes,” the man laughed.

    “Is it on the right or the left?” I asked.

    He paused,  “I can’t tell you can I?  Isn’t it supposed to be a scavenger hunt?”

    My expression said, “Really?”

    He laughed again.  “Don’t worry.  You’ll see it.”

    They hiked past me, and I was Dorothy with my dog Toto, left with only a path to follow and my own determination.

     

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    Which way is the golden dog poop?

     
    The trail bent around a tree and we crossed the irrigation ditch. And then I gasped. I saw it, almost beneath me, the golden dog poop. Eurkea!

    The legend, the quest, the doubt, the aloneness, the smell of fires nearby and my own sweat, the crunch of September leaves, historical predicates, my tired dog, and a goal achieved: it was one of the most evocative art experiences of my life.

    We turned back and went home, sated.

    Soon after, the iconoclasts hit. And one by one, the false idols were destroyed.

    There was righteous chirping by some who were pleased that the "stuff" defiling nature was gone, and heartbreak for some who were dismayed that our community proved too provincial to handle challenging art.

    On a chilly February morning Tyler Foote and I joined the two Nancys to pick up the shards.

     

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    Picking up the pieces with Tyler Foote

    The two Nancys were disappointed. I promised them that I would tell the story of Nevada City Alchemy and ART OnSite (which still consists of 15 fascinating multimedia artworks along the 8-mile trail) and let fellow dog-art lovers know that there is a place where you and your dog can explore history, enjoy nature, experience art, and, if you look closely, find a shard of the legendary golden dog poop, a remnant of the controversy in our tiny, complicated town, Nevada City, CA.

     

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    Tyler Foote, Nancy Fleming, and Nancy Nelson with a wheelbarrow of golden shards

    For more information visit ART OnSite.

    Daniel Brickman's website.

  • Giant Sheepdog Joins Tour de France

     

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    The Tour de France cycle race is the largest annual sporting event in the world. It was established in 1903, and because of its global popularity, it regularly starts in neighboring countries.

    This year, three stages run through England, including The Yorkshire Grand Départ comprised of two stages, Leeds to Harrogate and York to Sheffield, before moving south to Cambridge to London.

    This giant sheepdog, part of the 100 Days of Arts and Culture Festival in conjunction with the Tour, represents the first piece in their Fields of Vision project. Located in the West Yorkshire village of Stanbury, it was created by artist Simon Manfield in collaboration with the Worth Valley Young Farmers Club. There is a shepherd calling the dog in another part of the field.

    People wanting to see the land art are advised to use the best vantage point, which is the lay-by outside the gates of Haworth Cemetery in Cemetery Road.

    Via Keighley News.

    Visit Yorkshire Festival 2014 for more information. The Tour starts on Saturday, July 5.

  • The Cool Girls by (Dog) Artist Roseanne Burke

     

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    Roseanne Burke with Harry and Lyra by Moira McLaughlin, 2014

    For the last year, my friend Nevada City artist Roseanne Burke, has been working on a series of 20 encaustic portraits of women artists. As she shared her subjects with me, I began to see a trend; these women loved dogs. Many, like Frida Kahlo, Georgia O’Keeffe, Virginia Woolf, and Marilyn Monroe, I had already featured here on Dog Art Today. A few, such as Mary Cassatt, Josephine Baker, Beatrice Wood and Ruth Asawa, required some research that turned up wonderful photographs and paintings of the artists with their canine companions.

    In the end, it turned out 90% of the women had dogs. And Roseanne has two pups. So, although her exhibition, The Cool Girls: Encaustic Portraits of Remarkable Women, which opens this weekend, doesn’t include a single dog, I see it as much as a celebration of dogs as muses as women as artists.

    I asked Roseanne if I could interview her about this dog/artist connection and she graciously agreed.

    Moira McLaughlin: What was the initial spark of inspiration for this series?

    Roseanne Burke: I had always been intrigued by encaustics, a process of painting with hot wax. And in 2013, I took workshop on it with local artist, Deborah Bridges. Although I had not done much portraiture, as I experimented with the medium, I immediately saw possibilities that I wanted to explore.

    That same year, I watched the PBS documentary Makers: Women Who Make America about the struggle for women’s equality in the United States during the last half of the 20th century. Narrated by Meryl Streep, it featured interviews and archival footage of women from all social strata, from politicians and television stars to flight attendants, coal miners and phone company workers. As a woman who came of age in the 1970’s, I was struck by how hard so many women had fought for the rights we now enjoy and how much we stand to lose if we don’t stand up to the current political backlash against us. The Cool Girls is the intersection of these two events.

     

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    Mary Cassatt by Roseanne Burke, 2014

     

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    Mary Cassatt with Her Dog by Edgar Degas

    MM: How did you define “remarkable” and make your selections?

    RB: I chose women whose work inspired me personally, who were internationally recognized for their art, and who did other remarkable things with their lives. My research on one woman would lead me to others. And, as I learned how multifaceted each one was, I discovered these women had accomplished so much more than I had been aware of, especially socially and politically. That brought the project full circle for me, since the recent attempts to limit women’s rights was one of the inspirations of the series.

     

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    Josephine Baker by Roseanne Burke, 2014

     

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    Josephine Baker with Baby Girl and Fifi, 1928

    MM: Do you see a correlation between dogs and art and how would you describe it?

    RB: Dogs are love wrapped in fur. No matter how you are feeling about yourself on any given day, your dog loves you and thinks you are the best. I think artists often go through periods of frustration, self-doubt, artist’s block, and have pretty negative feelings about their work and perhaps their own value. Having a dog, an animal who absolutely loves you unconditionally, just makes you feel valued and sets you back on the right mental path. Maybe that's why so many of these artists had dogs.

     

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    Frida Kahlo by Roseanne Burke, 2014

     

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    Frida Kahlo and Her Dog

    MM: Did you discover other similarities between the women?

    RB: The biggest similarity was their need to create their art. Many of them faced huge economic, social and political obstacles, but the forged ahead and made their art regardless.

    MM: What surprised you the most in your research?

    RB: I was really surprised by how many connections there were between the women. Some were subtle, for example the subject of Toni Morrison’s master’s thesis was suicide in the writings of Virginia Woolf. Some were direct; Josephine Baker and Frida Kahlo were lovers.

    I was also reminded of the power of “sisterhood” as I discovered how these women helped and supported each other. For example, when Yayoi Kusama was having financial problems, Georgia O’Keeffe helped her to find a gallery and patrons and even offered her a place to live. And when Beatrice Wood was in her eighties and wrote her autobiography, Anaïs Nin convinced her own agent to represent her. These generous acts lead me to reflect with gratitude on the fellow artists (men and women) in my life who share information and experiences and help me make sense of the whole process.

     

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    Billie Holiday by Roseanne Burke, 2014

     

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    Billie Holiday with Her Boxer Mister

    MM: You began this series with one dog, Harry, your sweet, mellow 11-year-old Australian Shepherd mix, and then adopted Lyra, a rambunctious 12-week-old Terrier mix. I know you to be a meticulous planner. Do you think you were channeling the fearless spontaneity of one (or more) of these women when you got a puppy in the middle of preparing for this ambitious solo show? If so, who?

    RB: My partner Jim and I had been planning to get another dog for the past two years. I had been looking on Petfinder.com and had applied for a few puppies, but they didn’t work out. When we saw Lyra, we arranged to meet her a few days later and decided that she was the one.

    Once we made the decision, I knew it would all work out. I am a meticulous planner, but sometimes you just have to make a bold move. Everything of value in your life requires some effort or sacrifice. I could definitely use more sleep since we got Lyra, but she is so joyous, spunky, curious, and spontaneous and adds so much to our lives. I don’t really see myself as channeling the spontaneity of any particular woman, but dogs just make your life better – and most of the women seemed to have thought so too.

     

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    Beatrice Wood by Roseanne Burke, 2014

     

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    Beatrice Wood with Her Dachshund, Ojai, Califronia, 1960

    MM: How have Harry and then Lyra informed your work?

    RB: Dogs just make you happy. And I do better work when I’m happy. They help me to stay in the moment and stay focused on the now. Even though Lyra demands a lot of time, strangely that has helped me stick to a very organized and regimented schedule. I’ve actually made more art since I got her.

    MM: You are an avid reader of Dog Art Today and my best tipster, so I know you know your dog art. What are your three favorite pieces of dog art?

    RB: Birmingham 63 by Jack Levine, 1963, Noel and Bob by Joan Brown, 1964, and Puppy by Jeff Koons, 1992.

     

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    Georgia O'Keeffe by Roseanne Burke, 2014

     

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    Georgia O'Keeffe and Her Chows

    MM: I consider you a dog artist because you are a painter with dogs. And, I love the one painting I know of yours that features a dog, Ike’s Quarter Cafe. Do you have plans to paint your own dogs in upcoming works?

    RB: I had always planned to commission a painting of Harry from one of many wonderful “dog artists.” Since we got Lyra, I’ve been taking lots of photos of the two of them together, and have been encouraged to do a painting, so we’ll see. Right now, I’m pretty focused on the women.

     

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    Alice Walker by Roseanne Burke, 2014

     

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    Alice Walker with Her Dog Miles by Scott Campbell

    Thank you, Roseanne.  I'm so inpired by these women and your "remarkable" work.

    Visit Roseanne Burke's website to see to see all 20 women.

    If you’re near Nevada County, please come to the opening reception for The Cool Girls: Encaustic Portraits of Remarkable Women this Saturday, April 26 from 4 – 7 pm.

    Szabo Vineyards Tasting Room
    316 Broad Street
    Nevada City, California 95959
    Exhibition runs until May 30, 2014.

    Well-behaved dogs are welcome.*

    *Tyler Foote was asked to leave after barking at a sassy Dachshund.

  • Lauri Luck’s 60 at 60 Dog Art Treasure Hunt

     

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    Black & White Dog by Lauri Luck

    For her 60th birthday, Lauri Luck painted 60 treasures on scrap wood – mostly dogs, some cat and chickens – and hid them in and around the northern California cities of Sebastopol, Forestville, Healdsburg, Petaluma, Santa Rosa, Guerneville, and Cotati. Each day she releases clues to the hiding places of her "60 at 60 Big Art Treasure Hunt."

    There are ten pieces left. So it's not too late to get in on the dog art treasure hunt fun.

    The hunt officially ends this Saturday, March 29, 12 – 4, at The Big Art Birthday Party & Show at Luck’s studio, 2371 Gravenstein Hwy South, Sebastopol (behind Renga Gallery).

    All art finders are invited to bring their found pieces and stories to display and share. They are also encouraged to share their stories on the “60 at 60” Facebook Page.

    ***UPDATE***All the treasures have now been found.  Happy Birthday, Lauri!

     

  • Irish Wolfhound Painting After Rousseau by Joel Pelletier

     

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    Dreaming with Orson by Joel Pelletier

    Joel Pelletier painted Dreaming with Orson, his homage to Henri Rosseau's The Sleeping Gypsy, to celebtate his Irish Wolfhound's unexpected 11th birthday.  It's on a canvas equal to the original's dimensions and to the majesty of the breed.

    I thought it would be perfect to celebrate St. Patrick's Day too.

     

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    Joel and Orson with Dreaming of Orson

     

     

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    The Sleeping Gypsy by Henri Rousseau, 1897

    See more at Joel Pelletier.

  • Sacrifice by Jane O’Hara at Beasts of Burden Exhibition

     

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    Sacrifice by Jane O'Hara

    "Beasts of Burden," a group art show I'm in of 13 artists exploring our complex relationship with animals, curated by Jane O'Hara, opens in Boston tonight, Thursday, March 13, at the Harvard Allston Educational Portal Galleries with a reception from 5:30 – 8pm.

    If there's one piece that exemplifies the show for me, it is Jane O'Hara's Sacrifice, a 5-foot tall screen that depicts nine animals wearing the vestments of the companies to which they have sacrificed their lives.  Reflecting on the work, Jane says:

    Years ago I attended the Byzantium show at the Metropolitan Museum of Art. I was struck by the images of people who had sacrificed their lives to God, the vestments they wore, and the gold leaf the artists used to create the spirit-filled environment. The notion occurred to me that animals sacrifice their lives to a power greater than themselves every day – millions of animals giving their lives and freedom. Of course the glaring difference is that in the case of the animals, this is not their choice.

    My goal is to bring attention to these loving beings. There's a lot going on behind closed doors.  While we shower our animal companions with love, we often ignore the fact that the "power greater than us" that is controlling many beings’ lives, has become the greed of the Corporation, not the love of God."

    The Chimp wears the Columbia University T-shirt. Cruel experiments there have taken the life, and any semblance of quality of life, from many primates.

    The Cat wears the vestment bearing the logo of March of Dimes. This charity spends part of its charitable gifts for vivisectors to sew kittens' eyes shut, implant wires into the uteruses of pregnant monkeys, and administer cocaine, nicotine, and alcohol to pregnant rats.

    The Elephant wears garb with  the symbol of "The Greatest Show on Earth," Ringling Bros Circus, who take calves from their mothers and beat, chain and torture these kind beasts until they will do what is completely unnatural to them – all for a laugh. 

    The Rabbit is adorned with the Proctor and Gamble logo, a company that confines rabbits to stocks while chemicals eat away the soft skin on their backs or in their sensitive eyes. The rabbits are then killed; their lives snuffed out in misery for just one more meaningless number on a chart.

    The Rat wears the vestment of Pfizer, one of the largest, but certainly not only, drug company that conducts any number of invasive painful experiments to test their drugs and get patents. Many of the results are meaningless, as humans are (surprise) quite different from rats and mice and what may work on the rodent will not on a human. And there are humane alternatives

    The Cow has probably the most recognizable logo that exists in the world right now, McDonalds. These cows exist in overcrowded feedlots, fed "food" that is not meant for cows, getting increasingly sick, pumped up with drugs to keep then alive long enough to get fat and sometimes dragged to the slaughterhouse, all so the consumer can have their ridiculously cheap burger.

    The Chicken has another well known logo, KFC. Kentucky Fried Chicken has ignored pleas to at least support chicken producers that don’t have the worst level of cruelty. The chickens have their beaks cut of, and many are literally crammed into each cage the size of a piece of paper. Their "lives" are spent not moving, their feet growing into the wire they stand on. The egg is the same sad story.

    The Dog wears the vestment bearing the logo of Iams dog food.  Iams conducts nutritional experiments on cats and dogs. Repeatedly they have ignored pleas to properly treat the wounds  of animals injured in captivity. The dogs get no play time and live in cages alone and suffering.

    The Pig is in the garb of Smithfield Farms. The most hideous (but not the only) factory farm where pigs are crammed into pens, in a dark disease-filled environment.  Driven insane by the ammonia smell and cramped conditions, the pigs become violent towards each other. To "help" this situation their tails are cut off with no anesthesia so they can’t bite each other’s tail.  Mother pigs are kept in gestation crates where they cannot turn around.

    I hope you can see Sacrifice in person.  And say hi to my dox-ZENS if you do.

     "Beasts of Burden"
    March 13 – May, 5, 2014

    Harvard Allston Educational Portal
    175 North Harvard St.
    Allston, MA 02134
    Regular hours: Monday – Thursday 3 – 7:00pm

     

     

  • Twelve dox-ZENS: Dylan Sherwood McConnell’s Frames + Flunking Buddhism 101

     

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    Twelve dox-ZENS by Moira McLaughlin, 2014

     

    "Beasts of Burden," featuring my Twelve dox-ZENS, opens in Boston this Thursday, March 13.  My goal for this series was to follow the tenets of Zen Buddhism and focus on the process, not the outcome. There were two special challenges for me:

    1.) accepting imperfection

    2.) detachment

    I feel I successfully achieved the former and flunked the latter. For that, I blame Dylan Sherwood McConnell.

    I had never met Dylan before a few months ago, but I knew his art. I had been admiring his work in galleries, fairs, and shops around town for the last couple of years. In fact, it seemed like every time I drooled over a piece, it turned out to be Dylan's.

    This January, after sourcing custom frames (outrageously expensive times 12) and returning three sets of unusable ready-made frames from China (via Jerry's Artarama who told me to throw them in the garbage), I sent Dylan an email asking where he purchased his frames.

    It turns out he makes them himself. And he offered to make mine at a generously reasonable rate.

    They are perfect. Beyond perfect. So much so, that I confess now to an end-run around the "accepting imperfection" accomplishment listed above. Dylan does not accept imperfection.  And, he decided to make a second inset frame for me, so the dox-ZENS would "float," like a shadow box.

    I simply love them…

     

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    Handmade pine frame with inset and acrylic finish by Dylan Sherwood McConnell

     

    And I love seeing them together…

     

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    Twelve dox-ZENS by Moira McLaughlin, in my studio

    I got attached. And that means I think I flunked the "detachment" part of the study (I'm not 100%  sure, because I'm trying to detach from judging myself too). It also means that, for now, I'm not selling them individually. I selling them as a group; the price is $3,000.

    If you're in the Boston area, please come to "Beasts of Burden" and view them live.

    Opening Reception: Thursday, March 13, 5:30 – 8pm

    Harvard Allston Educational Portal
    175 North Harvard St.
    Allston, MA 02134

    And visit Dylan Sherwood McConnell's website to drool over his work yourself.

    P.S. Katie Anderson, owner of Nevada City Picture Framing, mounted the pieces ahead of schedule with her own painstaking perfectionism.  I am deeply grateful for her attention to detail, unbridled encouragement, and valuable feedback.  Once again, I am humbled and delighted by this talented community I call home.

     

  • Dog Art at The Armory Show 2014

     

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    The Armory Show opens today in NYC. Artsy has it all online. I found a few lovely dogs, some fun Andy Warhol cats, and, I don't know if it's a spring thing, but my pick (pun intended) for best in show: Ellsworth Kelley's Daffodil.

     

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    Dalmatian by Maria Sewcz, Gelatin Silver Print, 1986

     

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    King by Alice Neel, Ink on Paper, 1954

     

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    Every Good Boy Does Fine by Buck Ellison, Chromogenic Color Print, 2008

     

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    Hypno by William Wegman, Polaroid, 1988
  • Thoughts on Art and Money at Gwarlingo

     

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    Michelle Aldredge has a great post at Gwarlingo about artists and money entitled “If other professions were paid like artists.”

    Origami dollar bill dog  via Cool Pix.

  • Jane O’Hara Profiled on Hund und Kunst

     

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    Dog Looking Up by Jane O'Hara, 2004

    Viennese dog artist and dog-art blogger Petra Hartl presents a beautiful retrospective of ten years of Jane O'Hara's dogs at Hund und Kunst.   The Google translation is here.

    Jane O'Hara is curating "Beasts of Burden" in Boston, March 13 – May 5, 2014.