Tag: moira mclaughlin

  • Beasts of Burden and Compassion Arts Festival NYC

     

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    Sacrifice by Jane O'Hara, 2005

     

    New York friends, I wanted to remind you that "Beasts of Burden: Our Complex Relationship with Animals" will be on view October 20 – 22 in NYC. 

    The exhibition is part of the Compassion Arts Festival, a weekend of song, artistry, discussion, film, and performances reflecting our multifaceted relationships with the earth and the animals we share it with.

    There are two "Beast of Burden" events, the art show and a multimedia performance by curator, artist, and activist, Jane O'Hara.

    If there's one piece that exemplifies the show for me, its Jane's Sacrifice (above), a 5-foot tall screen that depicts nine animals wearing vestments of the companies that killed them. It's inspired by iconic paintings of Christian martyrs and the notion that millions of animals sacrifice their lives to powerful forces everyday in similarly barbaric ways.

    I think it will be moving to see this piece in person.

    Also, I'm proud to have my work, Twelve dox-ZENs, included.

     

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    Twelve dox-ZENs by Moira McLaughlin, 2014

    I produced this work in the in the wake of the death of my beloved longhaired Dachshund named Darby. For months, I was crippled by grief and creative paralysis. 

    Finally, I decided to paint dozens of sumi-e ink Darbys on the pages of a deconstructed book, Buddhism and Zen by Nyogen Senzaki and Ruth Strout McCandless. The series is a meditation on the Buddhist concept that the mind is an endless cycle of three processes: craving, acting, and discontentment.  

     

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    dox-ZEN XII

     

    Exhibition: "Beasts of Burden: Our Complex Relationship with Animals"

    TUF Gallery/O’Hara Projects
    208 East 73 St.
    New York, NY 10021

    Opening Reception and Book Signing: Friday, Oct 20, 2017, 5 – 8 pm (vegan friendly & free to the public)

    Gallery Hours: Saturday, Oct. 21 and Saturday, Oct. 22, 11 am – 6pm

    Performance: "Reflections on Beasts of Burden by Jane O'Hara"

    Saturday, October 21, 7:30pm

    Symphony Space/Leonard Nimoy Theatre
    2537 Broadway
    New York, NY10025

    Tickets for Jane's multimedia presentation are $20 in advance and $25 day of show available here.

    Visit Beasts of Burden for more information about this exhibition and performance.

    For information about all the animal-centric events happening this weekend visit Compassion Arts Festival.

    P.S. Sadly I won't be able to attend. If you have a chance to take photos, I would love to see them. Tag me on Instagram and Twitter.

    Thank you so much.  Enjoy!

     

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  • Beasts of Burden in NYC

     

    Beasts of burden art show 2017

     

    “Beasts of Burden”

     

    I’m excited to announce that an expanded version of the 2012 show “Beasts of Burden,” curated by Jane O’Hara, will be on view in New York City, October 20 – 22, 2017 at TUF Gallery, 208 East 73 Street.

    Opening night reception is Friday, October 20, 5-8 pm.

    The exhibition includes the work of 14 artists exploring our complex relationship with animals:

    Tony Bevilacqua
    Denise Lindquist
    Ariel Bordeaux
    Nancy Diessner
    Karen Fiorito
    Raul Gonzalez lll
    Adonna Khare
    Wendy Klemperer
    Jo-Anne McArthur
    Moira McLaughlin
    Moby
    Jane O’Hara
    Julia Oldham
    Gedas Paskauskas

     

    My series “Twelve dox-ZENs” will be on view.  This time they will be for sale individually ($400 each) or together ($2400). I’ll have another post on this soon.

    The show is part of the Compassion Arts & Culture and Animals Festival, a weekend-long celebration of song, artistry, discussion, film, and performances reflecting our multifaceted relationships with animals and the earth we share.

    The festival is presented by two prestigious entities: Culture & Animals Foundation, a non-profit committed to supporting artists and scholars in advancing our understanding of and commitment to animals, and Compassion Arts, a creative arts and education initiative dedicated to expanding the way we see animals, nature, each other, and ourselves.

    In addition to the exhibition, curator Jane O’Hara will perform a multi-media reflection on “Beasts of Burden” featuring song, video, spoken word and art in collaboration with singer-songwriter Joy Askew and poet Gretchen Primack, Saturday night at 7:30 pm at Symphony Space, 2537 Broadway, NY, NY.

    Tickets for the performance are $20 each or $25 day of show ($10 for children and students). Click here to order yours.

    There are many other animal-centric events throughout the weekend you might be interested in.

    Visit Compassion Arts Festival for more information.

  • Kidnapped by Breast Cancer

     

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    I Have to Tell You Something
     
     
    I've always been afraid of windowless vans. They're kidnapper vans, right? So I'm usually on the lookout for them.
     
    Unfortunately, my windowless van came disguised. It appeared as a cheery phone call from a nurse the day after my routine mammogram, October 7, 2014.
     
    "It's not cancer," the nurse said.
     
    Of course, I thought. I've never been called back for suspicious tissue since I began my yearly mammograms 15 years ago at age 35 (early in life because my mother and both grandmothers had breast cancer. None of them died from it).
     
    Mentally ending the call, I realized the nurse was still talking.
     
    "It's called LCIS. But it's technically not considered cancer."
     
    Her voice streamed through receiver as I Googled a second opinion…
     
    LCIS is Lobular Carcinoma In Situ.
     
    There is was, "Carcinoma."
     
    BAM. The van's door slammed shut on me and I was kidnapped by cancer.
     
    Strangely, I didn't know it yet.

     

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    My First Day at the Cancer Center — Really?!
     
     
    It's true. LCIS is not cancer. It's abnormal cells that indicate you might get cancer, or you might already have it. It sets you on a fact-finding mission that starts with an ultrasound. I went for the procedure that morning even though I was still sore and exhausted from the mammogram.
     
    Physically, mammograms are not a big deal. But since 1999 I have been debilitated by fibromyalgia. I haven't written about that here because Dog Art Today has been my healthy avatar, a blog by someone who isn't in chronic pain.
     
    The ultrasound showed areas of "architectural distortion." This prompted a core needle biopsy, which feels like being upholstered by a staple gun. It hurt. A lot.
     
    The doctor removed tissue and placed a titanium clip inside my breast. The clip was an anchor for a wire that would poke outside my body on the day of my lumpectomy that was now scheduled.
     
    This all felt extreme, since I did not have cancer. I had LCIS. Mistakenly, I had latched onto the first part of the diagnosis (it's not cancer) and detached from the second part (it could be).

     

    Moira-McLaughlin-Breast-Scan

     

    The Trunk Not the Leaves
     
     
    The first chink in that detachment came from the nurse assisting the biopsy that day. When the doctor left the room, she confided that 20 years ago she had had cancer that resulted in a hysterectomy. I thanked her for sharing, assuming her story was one of post-cancer normality.
     
    It wasn't.
     
    When the doctor left the room again, she told me how hard it was. Not because of the cancer, but because of the friends who fell away from her. Looking back, she said, it was for the best. It ended up being an efficient, though painful, way to rid herself of toxic people all at once.
     
    It was a disturbing message, but one that didn't apply to me. I certainly didn't have toxic people in my life. And I didn't have cancer.

     

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    My Oncologist's Door
     

    But, I was being treated at the cancer center and that meant I needed a team. So I met with an energetic surgeon with a penchant for drawing pictures with Sharpies (his comparison of lobules to broccoli was quite helpful), a young, beautiful, Chinese oncologist with instincts of a Jedi, and a charming radiologist of the cashmere-clad horsey set from Napa.

    I felt the worst for the radiologist. He was passionate about his graphs and flow charts, eager to share his wealth of the most current research. But it seemed to me that I was wasting his professorial office hours for a college course I intended to drop. 
     
    But as he dissertated on what a lumpectomy might reveal, it happened, I experienced a mental eclipse. Something dark sent an internal memo to my conscious brain. It read, "I am a cancer patient. And this is not going to be 'journey' or even a 'battle,' both terms that imply agency. This was a hostage situation, one I might not survive."

     

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    Tyler Foote:Dark Night

     

    Being sick is hard work. Metaphorically speaking, I was transported to a labor camp not a cell.

    My mother, a three-time cancer patient, compares it to being Shanghaied — arriving doped and alone in a foreign country. And in this new world, where you don't speak the language, you're expected to get your masters degrees in medicine, financial planning, healthcare administration, and existential philosophy.

    Your will and your advance healthcare directive are due immediately.

    And, most devastating, you need to plan for someone to take care of your dog. Who will understand that he likes to go out three times before 10am. That the words "indoor bark" will turn down his volume. That he loves to catch his small, orange Chunky ball in his mouth, and that he needs to have the fur between his toes checked for foxtails every time he comes in from a walk.

    It was too much. But it all had to be done. By me.

    The lumpectomy went well.

    The pathology report did not.

     

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    Waiting for My Pathology Report

     

    I had cancer. Two kinds, my surgeon told me as he read the report just coming in on his laptop: Ductal Carninoma in Situ (DCIS) and Invasive Lobular Carcinoma (ILC).

    Silence, as he stared at the screen.

    "Well, obviously I'm disappointed," I said.

    Finally he looked at me and said, "You're going to have your feelings. But it's better to know."

    His lack of drama was reassuring, like a plumber telling you the clog is on your property, not the city's. The old oak is going to have to come down. Sad, yes, but do-able. Let's get to work.

    But things got complicated fast. I was scheduled for a lymph node removal to see if the cancer had spread. But a pre-op MRI showed suspicious tissue in my other breast. 

    My Jedi oncologist postponed my surgery and ordered another MRI.  It showed probable cancer in my other breast. Another core needle biopsy confirmed it was cancer.

    Now I was bombarded with decisions as I felt rogue cells metastasizing with each passing second. And here's the truth that Pinktober doesn't convey, breast cancer is grotesque.

    Bilateral mastectomy with or without concurrent reconstruction. Implant rupture. Tissue rotation. Nipple preservation. Areola tattooing. Massive scaring. Excessive bleeding. Breast prostheses. Flap failure. And "the chance that the cosmetic result will not be as pleasing as expected."

     

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    Breast Cancer is Not Pretty

     

    After hours of conversations with my mom (my long distance guru) and my sister (my nearby caregiver), I decided to stay with my local team in Grass Valley, a small, rural community in Northern California.

    I had two surgeries for lumpectomies, lymph node removal, and a reexcision. My prognosis worsened with each new pathology update. But after my second surgery, things turned around. My cancer was stage 1. It hadn't spread to my lymph nodes, and I didn't need chemo.

    (This is for other breast cancer patients. Feel free to skip. I had LCIS, DCIS, ILC, ER positive, PR positive, HER Negative, BRCA negative, and an ONCO Score of 10.)

    A cancer diagnosis is not like in the movies, that scene when the doctor explains the whole situation to the character and the audience. A full diagnosis comes in pieces, from labs across the country that lose your tissue sample and take weeks to respond, from  MRIs that are unreadable for no known reason and need to be re-administered, from corporations who own the rights to genetic testing that your insurance first has to approve. It takes weeks, and for me months, to get the full picture.

     

    Moira-McLaughlin-Puzzle

     

    Unfinished Business at the Cancer Center

     

    Surprisingly, I managed the surgeries and the six weeks of radiation pretty well. I was exhausted and in pain, but I was functioning. I posted on this blog for a while and was able to make art and mount several shows for the DANK artist collective I was in. 

    Sadly, the nurse who told me cancer could spread to relationships more aggressively than to cells turned out to be right. Not everyone wants to deal with your cancer. And it becomes clear in a terrifying way that you are only the protagonist in your own life. To others, you're a bit player, easily dropped.

    The flip side of this free fall is that people surprise you in unexpected and beautiful ways.

    But, to be clear, I'm not saying  "Cancer is a gift."

    This concept enrages me because it victimizes patients who are scared, hopeless, angry, and alone. I felt myself butting up against it (and colluding with it) as I told people about my diagnosis. I always had a sunny lilt in my voice. I'll be fine, I told them. It was phony, but it was an easier narrative to say out loud, and marketing companies had done an excellent job laying the base for how pretty and empowering breast cancer can be.

    Former breast cancer patient (I also hate the word "survivor") Barbara Ehrenreich, author of Bright-Sided: How Positive Thinking is Undermining America gets it right in her article "Smile: You've Got Cancer," when she notes…

    In the mainstream of breast cancer culture, there is very little anger, no mention of possible environmental causes, and few comments about the fact that, in all but the more advanced, metastasized cases, it is the "treatments", not the disease, that cause the immediate illness and pain. In fact, the overall tone is almost universally upbeat.

    When I couldn't put on that upbeat performance, I isolated. It's why I stopped blogging. And why It's been so hard to start again.

     

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    Is this helpful?

     

    The truth is I had the "good kind of cancer" and it is a nightmare.

    It's been over two years since my treatment ended and I am still struggling. Granted, fibromyalgia exacerbated my pain and my genetics have made my depression clinical. But this is what it means to have cancer. You always have it, even when technically you don't. As they say on the breast cancer message boards when they quote The Eagles' Hotel California, "You can check out any time, but you can never leave."

    Writing this is post is a sign that I'm feeling better, though I still feel removed from many of the things I used to love. I've had a crippling case of "why bother." But today I feel well enough to Photoshop a selfie for you so you'll believe that I'm on the mend…

     

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     Moira McLaughlin: Self Portrait with Cancer

     

    I don't know if Dog Art Today will remain the same or how often I will post. And I am warning you now that I don't feel neutral about the man in the White House, so Trump voters feel free to delete me from your inbox. But I'm here. I've missed connecting with you. And the dog I saved five years ago has saved me every day since I was kidnapped.

     

     

    Tyler-Foote-New-Perspective

     New Perspective

     

    I look forward to sharing more from my new perspective.

    P.S. If you can't remember the last time you had a mammogram, call and schedule yours right now. My surgeon is right. It's better to know.

     

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  • Own A Framed Print of Tyler Foote Finds Via Framebridge

     

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    Tyler Foote Finds: A Compendium of My Ignorance (click on image to enlarge)

    Tyler Foote Finds: A Compendium of My Ignorance, a two-year collaboration with my dog, Tyler Foote, documenting my inability to identify a single natural object from our walks (except the $1 bill), was conceived to be an ephemeral installation for the DANK Inaugural. Some of Tyler’s “finds” have already become kindling and compost.

    But friend and professional photographer, Jim Pyle, beautifully photographed it for me. And prints are now available as digital downloads, $50 each, via PayPal including credit cards.

    And, I’ve just discovered Framebridge, a brilliant new company that custom frames photographs and art for all-inclusive low rates from $79 – $149. 

    That means the stress-inducing, cost-prohibitive elements are FREE!

    • Shipping – both ways = free
    • Printing – all sizes = free
    • Matting – design experts are available for consultation = free
    • Hanging materials – even the nails are included = free

    Insane. Right?!  Take a look at their video….

     

     

    The Framebridge website is easy to navigate and lets you envision the dimensions…

     

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    You can view 27 different frame styles.  Some of my favorites…

     

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    Irvine – modern white

     

    Tyler-foote-finds-framebridge-hatteras

     

    Hatteras – distressed charcoal grey

     

    Tyler-foote-finds-framebridge-marin

     

    Marin – natural wood

     

     

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    Burbank – modern brushed silver

     

     

    Tyler-Foote-Finds-Framebridge-Seabrook

     

    Seabrook – distressed white wood

     

    Print and frame whatever size you want, mat or no mat.  You only pay for the frame.  Again, prices range from $79 – $149. And there are Instagram 5″ x 5″ minis for $39 that you can upload directly from your phone via the Framebridge App

    Dog Art Today readers receive $10 off their first purchase.

    Use coupon code: DOGARTTODAY

    (Note: I receive compensation for referrals and the code does not apply to mini frames.)

    Go ahead and use the promo code to frame your own photos or art if you’d like.

    Order before December 12 to receive your art by December 24.

    To purchase a Tyler Foote Finds: A Compendium of My Ignorance by Moira McLaughlin, photo by Jim Pyle, ($50 for a high-resolution digital file) click on the PayPal button below the image:

    Tyler Foote Finds-framebridge-final-600
     
     

    Email me if you have any questions.

    Cheers!

    xo, Moira and Tyler Foote

  • The DANK Inaugural Sneak Peek

     

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    Tyler Foote Finds: A Compendium of My Ignorance, work in progress, by Moira McLaughlin

    The DANK Inaugural, the group show inspired by the theme of "water" that Tyler Foote and I have been working on, opens this Friday, July 11 in Nevada City, California, 5 – 9 pm. As a collective, the ten artists decided to share only fragments of our works until after the opening. So, here are some sneak peeks…

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    Tyler Foote Finds: A Compendium of My Ignorance, work in progress, by Moira McLaughlin

     

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    Diverted, work in progress, by Nancy Nelson, photo by Moira McLaughlin

     

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    The Golden Fissure/The Digger's Ounce, work in progress, by Dylan Sherwood McConnell

     

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    Line, partial image, by Sheila Cameron

     

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    Don't Drown, work in progress, by Kathy Frey

     

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    Roseanne Burke's dog, Lyra, drinks from Precious by Moira McLaughlin

     

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    I hope you can come and experience DANK in person. Dogs are welcome.

    The DANK Inaugural
    300 Spring Street
    Nevada City, CA 95959

    Opening Reception: July 11, 2014, 5 – 9 pm.

    DANK is an artists’ collective in Nevada City, California. It was founded in 2013 by ten artists interested in post-Great Recession social issues, the rural ideal, and an anti-urban aesthetic grounded in the legacy of the California Gold Rush.

    The name DANK comes from the wet wood smell that permeates Nevada City, a town situated on the banks of Deer Creek. It’s also a nod to one of the area’s premier exports, cannabis. And it’s an acronym for Do Art Now Kids.

    Members include: Celine Adrianna Negrete, Roseanne Burke, Sheila Cameron, Kathy Frey, Cynthia Levesque, Moira McLaughlin, Joe Meade, Nancy Nelson, Dylan Sherwood McConnell, Reinette Senum.

    Show runs until August 3, 2014.

    Visit our Facebook page for gallery hours and special events.

     

  • DANK Inaugural: Nevada City, California 7.11.14 – 8.3.14

     

    DANK-Tyler-Foote-photograph-by-Moira-Mclaughlin-2014

     

    Tyler Foote aka DANKsy by Moira McLaughlin, 2014

    I'm a founding member of a ten-person Nevada City artists' collective called DANK

     

    DANK-inaugural-art-show-1200

    We're interested in post-Great Recession social issues, the rural ideal, and an anti-urban aesthetic grounded in the legacy of the California Gold Rush and the future of our planet…

     

    DANK-Nevada-City-Lone-Pine-vintage-postcard-1908

     

    Vintage Postcard of Nevada City, California, 1908

    A generous patron loaned us this empty building to have an art show…

     

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    300 Spring St., Nevada City, California 95959

    We're artists, so we painted it…

     

    Sheila-Cameron-painting-DANK-Gallery-photo-by-Moira-McLaughlin

     

    Sheila Cameron Gets DANK

    Tyler Foote and I are collaborating on a piece for the show. Here's a sneak peek…

     

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    Tyler Foote Finds by Moira McLaughlin and Tyler Foote

    The show, DANK Inaugural, runs from July 11 to August 3, 2014. The opening reception is July 11, 5-9 pm.

    Dogs are welcome. In fact, I am working on a second piece, Precious, that invites dogs to interact with it, so dogs are encouraged.

    If you and your pup ever thought about visiting Nevada City, come this summer and see DANK.

    Email me your address, and I'll send you a postcard…

     
    Dank-postcard-photo-by-moira-mclaughlin-designed-by-dylan-sherwood-mcconnell-unframed
     
    DANK

    Follow us on Facebook.

    Visit our website.

  • Nevada City Alchemy: If An Artist Dog Poops In The Forest…

     

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    Nevada City Alchemy by Daniel Brickman via his website

    ART OnSite is an ambitious environmental art installation featuring 20 works by 8 artists presented along Nevada City’s Tribute Trail, a popular hiking path that runs beside Deer Creek, one of the earliest and richest locations of the California Gold Rush. The goal of the project, two years in the making and conceived by Chair Nancy Fleming and Vice Chair Nancy Nelson, was to draw the community together through the nexus of art. Unfortunately, the enterprise was marred by violence, as one of the artworks proved too offensive for a person or persons in our town, and was almost completely destroyed, and then removed to a secret location for safekeeping.

    What, you might wonder, would be so egregious to a permissive community like ours, known for its (barely) underground cannabis economy and alternative lifestyles? It was 5 larger-than-life, gold-patinaed dog poop statues made of resin entitled Nevada City Alchemy.

     

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    Nevada City Alchemy by Daniel Brickman via his website

     

    The artist, Daniel Brickman, created it in response to one of his early visits to the creek when he spent hours watching dog owners enjoy the trail while their pets left behind their droppings. Daniel, who enjoys working with clay and devising his own malleable materials such as sawdust and glue, was struck by the individuality of each poop, their statuesque nature, and by what he saw as the parallel between owner-permitted dog defecation and the pollution of equally negligent gold miners of the 1850’s. Both groups left waste with disregard to the environment and their fellow citizens.

     

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    Painting of 49ers via Gold Country Yacht Club

    When I first heard about the golden dog poops, I was excited. Scatological art can cause a sensation and it’s on trend; witness The Holy Virgin Mary by Chris Ofili, Complex Shit by Paul McCarthy, and Another Shit Show by Will Kurtz. I told Nancy Nelson, this could be an exciting draw for dog-art lovers near and far, and it would dovetail nicely with the project’s NEA Our Town Grant’s goal to help revitalize the local economy. This shit could be big.

    Sadly, less than two weeks after ART OnSite’s debut on September 7, 2013, one of the golden dog poops was smashed to pieces. And, over the next few months, three more were destroyed before Daniel and the two Nancys retrieved the last one.

     

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    Daniel Brickman with one of his pieces via YubaNet

    My dog Tyler Foote and I were lucky; we got to see Nevada City Alchemy in situ. And it was sensational. Getting directions via word of mouth, trekking alone into unknown territory as wildfires were burning nearby and temperatures were breaking records, I worried if we had enough water, if I had taken the right path, even if I knew what I was looking for and would know it when I saw it. I thought about turning back. I was tired and my dog was panting…but there was gold out there…I had to see it.

    I thought about the 49ers, the men who dashed across the country, and the women who said yes to their insane certainty. I thought about arriving at this creek when it was inhabited by the Maidu, the tribe who peacefully lived off its abundance for centuries before get-rich-quick whites descended on it with their pans, picks, and shovels. And, I thought about how many well-known groups and anonymous individuals had had fought and continue to fight to restore the South Yuba Watershed to its magnificence.

     

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    Vintage postcard of Deer Creek below Nevada City

    Soon, it was almost noon and I was exhausted. I considered turning back, but by God, I had to see it. Gold fever had struck.

    A man and a teen appeared from the opposite direction.

    “Is the golden dog poop ahead?” I asked.

    “Yes,” the man laughed.

    “Is it on the right or the left?” I asked.

    He paused,  “I can’t tell you can I?  Isn’t it supposed to be a scavenger hunt?”

    My expression said, “Really?”

    He laughed again.  “Don’t worry.  You’ll see it.”

    They hiked past me, and I was Dorothy with my dog Toto, left with only a path to follow and my own determination.

     

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    Which way is the golden dog poop?

     
    The trail bent around a tree and we crossed the irrigation ditch. And then I gasped. I saw it, almost beneath me, the golden dog poop. Eurkea!

    The legend, the quest, the doubt, the aloneness, the smell of fires nearby and my own sweat, the crunch of September leaves, historical predicates, my tired dog, and a goal achieved: it was one of the most evocative art experiences of my life.

    We turned back and went home, sated.

    Soon after, the iconoclasts hit. And one by one, the false idols were destroyed.

    There was righteous chirping by some who were pleased that the "stuff" defiling nature was gone, and heartbreak for some who were dismayed that our community proved too provincial to handle challenging art.

    On a chilly February morning Tyler Foote and I joined the two Nancys to pick up the shards.

     

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    Picking up the pieces with Tyler Foote

    The two Nancys were disappointed. I promised them that I would tell the story of Nevada City Alchemy and ART OnSite (which still consists of 15 fascinating multimedia artworks along the 8-mile trail) and let fellow dog-art lovers know that there is a place where you and your dog can explore history, enjoy nature, experience art, and, if you look closely, find a shard of the legendary golden dog poop, a remnant of the controversy in our tiny, complicated town, Nevada City, CA.

     

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    Tyler Foote, Nancy Fleming, and Nancy Nelson with a wheelbarrow of golden shards

    For more information visit ART OnSite.

    Daniel Brickman's website.

  • National Tyler Foote Day

    Today is the two-year anniversary of Tyler Foote and I meeting.

    He has something to say…

     

     

    Art Talk with Tyler Foote view on YouTube

    We're getting off the computer now to go have some fun in town.

    Thank you for being my boy, Tyler Foote.

    Love, Moira.

  • Katherine Carver Interviews Moira McLaughlin

     

    Dox-zen-wip-adjusted-tyler-foote

     

    dox-ZENS, works in progress and Tyler Foote with the dox-ZENS, 2014
     
     
    Katherine Carver is an accomplished photographer and blogger.  She writes about her Sheltie muses, Biscuit (1992 – 2013), and Victory at Biscuit's Space.  She also features in-depth interviews with dog-centric artists.  I feel very privileged that she included me.  Click here to read the interview in which we discuss my background, my conflict with the art world, and the genesis of Dog Art Today.
     
    Thank you, Katherine!
     
    P.S. If you would like Katherine to consider you for an interview visit her submissions page.   It was a fantastic experience.  I highly recommend it as a way view your work from a new perspective.
  • Sold: Trying to Get Along by Anna Dibble

    Anna-Dibble-dog-and-cat-painting

    Trying to Get Along by Anna Dibble

    Vermont artist Anna Dibble emailed me to let me know her painting Trying to Get Along recently sold as a result of its exposure at the Strathmore: Unleashed! exhibition last June at the fine arts and cultural center in Bethesda, MD.

    Strathmore used Dibble's painting on the invitation, and the Washington Post printed it in an article, and featured it in a contest they sponsored for kids that involved looking for cats in the dog art show.

    Trying to Get Along, 8” x 10” mixed media on panel, sold for $775.00.

    Strathmore: Unleahsed! was a multimedia celebration of dogs in art.  I (Moira McLaughlin) worked as an advisor on the project.  My video Dogs in Art, a tribute to 5,000 years of dog art was also on view.

    Congratulations, Anna!

    Visit Anna Dibble's website.

    P.S. Kimberly Wang has a fantastic article about Anna Dibble and her studio on her City Dog Country Dog blog.