Tag: dog paintings

  • Beasts of Burden and Compassion Arts Festival NYC

     

    Jane_O'Hara_Sacrifice_low_res

    Sacrifice by Jane O'Hara, 2005

     

    New York friends, I wanted to remind you that "Beasts of Burden: Our Complex Relationship with Animals" will be on view October 20 – 22 in NYC. 

    The exhibition is part of the Compassion Arts Festival, a weekend of song, artistry, discussion, film, and performances reflecting our multifaceted relationships with the earth and the animals we share it with.

    There are two "Beast of Burden" events, the art show and a multimedia performance by curator, artist, and activist, Jane O'Hara.

    If there's one piece that exemplifies the show for me, its Jane's Sacrifice (above), a 5-foot tall screen that depicts nine animals wearing vestments of the companies that killed them. It's inspired by iconic paintings of Christian martyrs and the notion that millions of animals sacrifice their lives to powerful forces everyday in similarly barbaric ways.

    I think it will be moving to see this piece in person.

    Also, I'm proud to have my work, Twelve dox-ZENs, included.

     

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    Twelve dox-ZENs by Moira McLaughlin, 2014

    I produced this work in the in the wake of the death of my beloved longhaired Dachshund named Darby. For months, I was crippled by grief and creative paralysis. 

    Finally, I decided to paint dozens of sumi-e ink Darbys on the pages of a deconstructed book, Buddhism and Zen by Nyogen Senzaki and Ruth Strout McCandless. The series is a meditation on the Buddhist concept that the mind is an endless cycle of three processes: craving, acting, and discontentment.  

     

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    dox-ZEN XII

     

    Exhibition: "Beasts of Burden: Our Complex Relationship with Animals"

    TUF Gallery/O’Hara Projects
    208 East 73 St.
    New York, NY 10021

    Opening Reception and Book Signing: Friday, Oct 20, 2017, 5 – 8 pm (vegan friendly & free to the public)

    Gallery Hours: Saturday, Oct. 21 and Saturday, Oct. 22, 11 am – 6pm

    Performance: "Reflections on Beasts of Burden by Jane O'Hara"

    Saturday, October 21, 7:30pm

    Symphony Space/Leonard Nimoy Theatre
    2537 Broadway
    New York, NY10025

    Tickets for Jane's multimedia presentation are $20 in advance and $25 day of show available here.

    Visit Beasts of Burden for more information about this exhibition and performance.

    For information about all the animal-centric events happening this weekend visit Compassion Arts Festival.

    P.S. Sadly I won't be able to attend. If you have a chance to take photos, I would love to see them. Tag me on Instagram and Twitter.

    Thank you so much.  Enjoy!

     

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  • Beauty is Embarrassing Wayne White



    I am headed back into the studio today.   Feeling so inspired after watching “Beauty is Embarrassing,” Neil Berkeley’s documentary about Wayne White (Dogs on LSD, West Coast Pussy are two of my favorite dog paintings).   I highly recommend it.  You can get it on Netflix.


    Hat tip to Jennifer Davis for letting me know about it.

    Waye White’s website.

    Go make something…

  • Contest: 1000 Dog Portraits Book

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    Modern Dog Design Co.
    , the Seattle-based, internationally acclaimed design studio is accepting submissions for 1000 Dog Portraits, a full-color, 320-page book slated for publication in the spring of 2014.  Sections will include every breed, including mutts and oddballs, with an special introductory emphasis on Beagles.  All mediums are accepted including pen and ink, watercolor, oil, charcoal, digital, mixed media or collage.



    Rockport Publishers
    , a company that specializes in books for design professionals, is sponsoring the contest and will publish the book.

    Click here to submit your dog portraits.  Submission deadline: April 1, 2013, 10pm EST.

    Like them on Facebook.

    Hat tip to Patti Haskins (whose dog portrait graces the contest's Facebook page) and Rachel Petrovich for letting me know about this contest brought to you by "true dog lovers and people who love art, design and kick-ass illustration."

  • Fumi Koike’s Dogs of the Seasons

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    Stove

    Illustrator and designer Fumi Koike lives in Saitama, Japan, but to me her work evokes spring in the Sierra foothills of California.  She captures the overlap of seasons: gathering wood, planting starts, snowshoe trips to Donner Summit, tank tops and scarves rotating through our wardrobes, dogs whimpering to play all day, then passing out under the blankets when the sun goes down.  Every day is every season.  The beauty is intoxicating.  Just like Fumi’s work.

     

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    The Most Sentimental Season

    Fumi-koike-summer-day

    Summer Day

    Fumi-koike-2

    Untitled

    Fumi-kolke-new-coat

    New Coat

    Fumi-koike-3

    Spring Has Come


    Visit Fumi Koike’s blog, her Facebook page, and her flickr photostream where she has more wonderful dog (inu) illustrations.


    Via Miss Moss, another beautiful blog you might like.

  • Line Drawing Dogs by Christopher Mudgett

    Le-chien-the-dog-christopher-mudgett

     

    Le Chien (The Dog)

    "I'm fascinated with the complexity that a line can create, nothing is more vulnerable and revealing. By using the line as my primary form of expression, I am able to illuminate the true essense of my life experience on the canvas with uncompromising accuracy and feeling."  — Christopher Mudgett

    Via Christopher Mudgett.

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    Le Chien II (The Dog)

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    Le Chien III (The Dog)

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    Le Chien IV (The Dog)
  • Bridget Davies: What to Wear When Walking the Dogs

     

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    What to Wear When Walking the Dogs 2

     

    UK artist Bridget Davies loves to paint beautiful women in elegant clothes.  Recently, her subjects have been stepping out with fashion's most timeless and adored accessory — the dog, looking absolutely exquisite.

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    What to Wear When Walking the Dogs 3

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    What to Wear When Walking the Dogs 4

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    What to Wear When Walking the Dogs 5

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    What to Wear When Walking the Dogs 6

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    What to Wear When Walking the Dogs 7

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    What to Wear When Walking the Dogs 8

    Bridget-davies-what-to-wear-when-walking-dogs-11

    What to Wear When Walking the Dogs 11

    See more at Bridget Davies Art and on her Facebook page.

    Thank you Dog Art Today reader and dog artist Anna Wilson-Patterson for introducing me to Bridget's work.

  • Judy Henn’s Dog Portraits

    Judy-henn-dog-painting-1

    Dachshund

    A Monday in mid-January calls for some dogs with sunshine and flowers.   Luckily, I recently was made aware of Lambertville, New Jersey artist and gallery owner, Judy Henn, who describes her work as a cross-pollination of Henri Matisse and Milton Avery.   Judy says, “I know a painting works when someone looks at it and smiles.”
    I spent several hours smiling at her dog portraits this morning.

    See more at Judy Henn’s studio and gallery, Robins Egg Gallery.

    Thank you, Dog Art Today reader and dog artist, Janet Burt of Rainbow Pet Portraits, for introducing me to Judy’s work.

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    Westie

    Judy-henn-nancy's-family-tree

    Nancy’s Family Tree

    Judy-henn-after-the-fall-3

    After the Fall

    Judy-henn-dog-portrait-the-dream

    The Dream

    Judy-henn-dog-painting-july

    July

    Judy-henn-dog-painting-some-things-they-love

    Some Things They Love

    Judy-henn-dog-painting-holiday-hobie

    Holiday Hobie

    Judy-henn-dog-painting-gizzy

    Gizzy
  • Sold: Trying to Get Along by Anna Dibble

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    Trying to Get Along by Anna Dibble

    Vermont artist Anna Dibble emailed me to let me know her painting Trying to Get Along recently sold as a result of its exposure at the Strathmore: Unleashed! exhibition last June at the fine arts and cultural center in Bethesda, MD.

    Strathmore used Dibble's painting on the invitation, and the Washington Post printed it in an article, and featured it in a contest they sponsored for kids that involved looking for cats in the dog art show.

    Trying to Get Along, 8” x 10” mixed media on panel, sold for $775.00.

    Strathmore: Unleahsed! was a multimedia celebration of dogs in art.  I (Moira McLaughlin) worked as an advisor on the project.  My video Dogs in Art, a tribute to 5,000 years of dog art was also on view.

    Congratulations, Anna!

    Visit Anna Dibble's website.

    P.S. Kimberly Wang has a fantastic article about Anna Dibble and her studio on her City Dog Country Dog blog.

  • Tribute to Cassie – Beth Stafford’s Mentor and Muse

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    Orange Spot No. 1

    Cassie, one of my favorite dog artists passed away on September 22, 2012.   She was North Carolina artist Beth Stafford’s 13-year-old Airedale.  She was also Beth’s collaborator, art teacher, and non-traditional muse.  Together, Cassie and Beth made paintings and digital artworks, sold under the name PicassieO, inspired by Cassie’s nose smudges on Beth’s windows.  

    In those smudges Beth, who is an accomplished artist on her own, saw Cassie’s passion for life, her love of squirrels, deer, birds, and scents of the seasons.  And she also saw an avenue to experiment with the abstract and the organic in ways that are, in my opinion, reminiscent of Georgia O’Keeffe, Matisse, Jackson Pollack, and the duo’s namesake, Picasso.  I wanted to share some of my favorite PicassieOs with you and check in with Beth to send her my condolences.

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    Cassie at Work

    Moira McLaughlin: I was so sad to hear of Cassie’s passing.   I have been a fan of you both since I wrote about PicassieO in 2008.  I wanted to celebrate Cassie’s life and share your story with new Dog Art Today readers, many of whom have their own non-traditional muses sharing studio space with them.  How did you Cassie come into your life?

    Beth Stafford: I found her through the old Mid-Atlantic Airedale Rescue. Her owners divorced and gave her up.  She was 16 months old when I adopted her on September 6, 2000.  She was a wild child until she finally settled down as much as an Airedale can.  We were able to celebrate her twelfth “Gotcha Day” last month. We had a dozen great years together, but it’s still too short.

    MM: How long after you adopted her did you begin collaborating?

    BS: I didn’t recognize her talent until six years after I adopted her.  She had been marking the windows for years before my “aha” moment.  It happened one day when I was taking a break upstairs and looked at my west windows which are behind the couch where Cassie liked to perch to see what was happening outside.  The sun was beaming in and hit the marks just right.  I was really blown away by the beauty and freedom of her “brushwork”.  I grabbed my camera and photographed away.  Then I started playing with the pictures in Photoshop Elements, filtering and coloring until I liked the results.  At first that’s all I did.

    Beth-stafford-cassie-pink-lady

    Pink Lady

    MM: Were you struggling with your own art, looking for inspiration at the time?

    BS: Yes.  My style for 20 years was very precise, hard-edged, and mostly involved architectural subjects.  I was really good at it, but I was getting bored.  I had been experimenting with different mediums and subject matter for several years, but I found it challenging to turn loose my inhibitions until Cassie set me free.  She was an expressionist master!  Using her totally uninhibited reactions to life around us as a starting point, I was able to concentrate on my love of color and composition and produce the wild art that I am doing as PiCassieO, and I was able to honor my mentor by putting her in the center of the name of another fun artist.

    MM: Did your collaboration with Cassie represent a creative breakthrough?

    BS: Most definitely.

    MM: Did you put your own ideas on hold or ever second guess working with Cassie?

    BS: Her “ideas” were the starting point for my new art.  At first I stuck to what she had done and just cropped and altered the photos.  Then, a few years later, I got a stylus and began to draw on the marks, which was a big change in the look.  Lately I have been outlining her strokes and lifting them by cutting and pasting into new files.  Then I cut and paste other elements of the photo and do a virtual collage with all of it.  An example is Matisse Collage (see below).  That’s what I was doing when Cassie got sick, so I haven’t done many of them.   Meanwhile, I was branching out into painting again, using the prints as inspiration. Orange Spot No. 1 (see above) is one of them.  That’s the direction I plan to explore, solid colors and sharp lines, far from where I started.

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    Cassie’s Nose Garden

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    LOST Abstract No. 3

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    Matisse Landscape Painting

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    Matisse Collage

    MM: Are you able to create now? Or has grieving impacted your creativity?

    BS: I am still trying to catch up on all the things I neglected while she was sick (and while I was recuperating from breaking my wrist in February when slid off the dog ramp in the rain), but I have managed to make some of our PiCassieO jewelry, which doesn’t involve a lot of time and helps me concentrate on something besides missing her, at least for a little while. Every time I go to my photo organizers there are dozens of pictures of Cassie, so I usually wind up crying instead of working.  I’m trying to get all those photos organized and saved onto jump drives.  It’s necessary if I am ever going to get back to serious work.  I say “serious” but this is really the most fun I’ve ever had with my art, thanks to my goofball dog!  She was my best teacher, as well as my best friend.

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    Beth and Cassie: the artistic duo known as PicassieO

    MM: I am so deeply sorry for your loss, Beth. I know no words can help, but I hope each day gets a little easier and you can find inspiration in Cassie’s photos in new and joyful ways.  Rest in peace, sweet girl.

    Cassie-on-back-of-couch

    Cassie, April 12, 1999 – September 22, 2012


    See more of Cassie and Beth Stafford’s work or buy your own PicassieO:

    http://www.airedale-art.blogspot.com
    http://www.bethstafford.com
    http://www.picassieo.etsy.com
    http://www.zazzle.com/picassieo
    http://www.cafepress.com/PiCassieO_Art
    http://www.facebook.com/BethStaffordArtAdventures

  • Kathryn Wronski: How I Met Your Mother Dog Artist Lives in Grass Valley

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    Dazed from "How I Met Your Mother" by Kathryn Wronski, print available here

    Kathryn Wronski, the artist who painted the dog painting on the set of  "How I Met Your Mother"  lives in my town of Grass Valley, California (population 12,840).   I frequently get visitors here on Dog Art Today searching for her, so I wanted to get that information out of the way.  You can purchase a print of the dog with the green nose painting in Lily and Marshall's apartment here

    The alternative title to this post is:

    "How to be the Alpha Dog Artist in Your Town" 

    Kathryn Wronski is as talented at marketing as she is at painting.  Her work is ubiquitous in Grass Valley and neighboring town, Nevada City (population 3,064), and her name is synonymous with dog art.  In fact, it is rare when I meet someone and tell them what I do that the person doesn't respond, "You must know Kathryn Wronski."  I did know her through her high-profile presence at Nevada County art openings and marketing seminars, but I decided I needed to get to know her better and find out how she has cultivated her dog-art eminence in a place with more artists per capita than any county in California.

    We met for coffee and an interview at the dog-friendly Broad Street Bistro In Nevada City.

     

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    Celebration

    Moira McLaughlin: How did you begin you career as an artist?

    Kathryn Wronski: I actually got my degree in business and tried to make that work for some years.  But I wasn't happy in that world.   I think I wasn't suited for it because I grew up helping out in my family's flower business in Boston, making bouquets and learning about color and composition at a young age.  I missed being creative.   So, about 15 years ago after moving to California and raising two children, I started taking private painting lessons and really responded to it.

    I knew I needed a solid foundation to pursue being an artist, so I began taking art classes and studied for four years our community college, Sierra College, which has some excellent courses by the way.

    MM: Did you begin your studies painting dogs?

    KW: No, but when I did, I felt very silly.  I was taking an oil painting class with highly-regarded local landscape artist, Phil Brown, and everyone was painting bowls of fruit or the river, and I walk in with this large portrait of my parents' dog, Maggie.  I felt like I wasn't being a serious artist.  Phil noticed my discomfort and took me aside and told me to only paint dogs for the rest of the semester.   He could see in my painting my passion for the subject, and I credit Phil for giving me permission to pursue what made me happy.

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    Blue, work in progress

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    Blue


    MM: It seems that everyone in our county knows you or your work.  How have you established yourself as the premier dog artist in our area?

    KW:  The most important thing is creating a connection.   People want to feel connected to the work and to the artist.  I've learned to pay attention to exhibiting my art in places that want me to flourish and that means I had to get over the idea that my work necessarily had to be in a prestigious gallery to sell.   For example, being in vets' offices has been great for me.  And one to the best outlets for my work has been The Gray Goose in Nevada City, a gift shop that allows dogs.

    Also, I have a painting behind the front desk at the Emma Nevada House bed and breakfast, so out-of-towners see my work.  I'm very active at two galleries in Grass Valley, ASiF and Art Works.  This year I participated in the Soroptmist International of the Sierra Foothills' garden tour.  And recently I began showing my work down the hill in Sacramento at Gallery 2110.

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    Winnie hangs behind the front desk at the Emma Nevada House


    MM: I am in awe at how prolific you are.   How often do you paint?

    KW: Usually six hours a day. I like to paint at night when there are no interruptions.  Also, if there is a day when I don't feel like painting, I make myself go into my studio and just work for 20 minutes.   I usually find that gets the creative juices going and I stay.


    MM: Do you work on more than one painting at a time?

    KW:  Yes, I usually have ten going at once.


    MM: In terms of the products you offer, what are your biggest sellers these days?

    KW: Greeting cards at the galleries do well especially for collectors who are obsessed with a certain breed. Prints are harder to sell because people want to buy something that looks exactly like their own dog.  My magnets are not big money makers because I make them by hand and they are time consuming, but they are invaluable for commissions.  People don't usually decide to commission a piece of art on the spur of the moment.   They need to think about it.  So, if a magnet of my artwork is on their refrigerator, it's a constant reminder of who I am and what I do.

    MM: In addition to people seeing your work all over town on their daily errands.

    KW: Exactly.

    MM: Do you know there are people who have been searching for you ever since "How I Met Your Mother" began airing?  I searched myself when I lived in Los Angeles and I saw your painting on the set of the TV show.   I wanted to know who painted the awesome dog painting, and I couldn't find you.  I am hoping this post on Dog Art Today changes that.

    KW: It's so funny.   I've never even seen the show.

    MM: How did your dog painting end up on a hit TV series?

    KW: The set decorator saw my work and bought some paintings when she was visiting Truckee.

    MM: At a gallery?

    KW:  No, it was a dog grooming place.

    MM:  I see what you mean.  Retail might be a dog artist's best friend.  Do you have any other pieces of advice for dog artists who are trying to establish or grow their business?

    KW: As artists, it's hard not to take things personally.   So make "the personal" work for you.   Find places to exhibit your art that want you to flourish, and remember that the connections you make in your daily life have have a huge value for your business.

    MM:  After so many years, are you still happy painting dogs?

    KW:  Yes, but I love farm animals too.  A pig is a dog with a better nose.

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    Yo

    Kathryn_wronski_dog_artist_babs

    Ringo

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    Freedom


    Thank you, Kathryn. You are a dog art star.

    Visit Kathryn Wronski's website.

    P.S.  Today, September 29, 2012, Sacramento's PBS station KVIE is presenting one of Kathryn Wronski's dog paintings in their annual fundraising auction.  You can view it here, number 14A Babs and Bubbles.  And you can bid on it live on KVIE at 2:30 pm – 3:00 pm, PST.

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    Babs and Bubbles by Kathryn Wronski, 14A on the KVIE auction