Tag: contemporary dog art

  • David Shrigley: I’m Dead Stuffed Dog Artist Nominated for Turner Prize

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    David Shrigley poses with "I'm Dead" photo credit Empics


    David Shrigley, the 44-year old Glasgow based artist known for his darkly humorous line drawings, was nominated for the Turner Prize, Britain's most prestigious contemporary art award.


    He was recognized for the spring retrospective of his work, Brain Activity, at the Hayward Gallery in London.  The exhibition included drawings, paintings, film, and a stuffed dog holding an "I'm Dead" sign. The website for the show is an interactive treat (my favorite is the screen where you can turn the light switch on and off…it is endlessly entertaining).

    I highly recommend you visit the Brain Activity website to see more of David's work.   It's not creepy, serious, here-are-dead-stuffed-animals-to-make-you-uncomfortable work.  It's thoughtful and truly hilarious.  In fact, according to Nick Clark's article in The Independent, the director of Tate Britain and chair of the jury, Penelope Curtis, believes “[Shrigley] had been wrongly overlooked for a long time because his work suggested itself as being just funny and therefore marginal…Just because it’s funny, doesn’t mean it’s not good.”

    Good luck, David.  The winner is announced December 2, 2013.  I think he'll take it.

    See all four nominees here.

    Via The Independent.

  • Beauty is Embarrassing Wayne White



    I am headed back into the studio today.   Feeling so inspired after watching “Beauty is Embarrassing,” Neil Berkeley’s documentary about Wayne White (Dogs on LSD, West Coast Pussy are two of my favorite dog paintings).   I highly recommend it.  You can get it on Netflix.


    Hat tip to Jennifer Davis for letting me know about it.

    Waye White’s website.

    Go make something…

  • Clair Hartmann’s Darby in Modern Dog Magazine

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    Nita and Darby by Clair Hartmann


    This month, Shannon Church of Modern Dog Magazine profiles North Carolina dog artist Clair Hartmann

    One of the paintings the magazine chose to represent Clair's work is the Darby painting she sent me after I wrote about his death
    We both consider this painting a breakthrough, artistically for her (she felt the painting painted itself), emotionally for me (it was cathartic to see Darby again in a different light, and it enabled me to say "yes" to my new dog, Tyler).   So we were both pleased — I used the term "freaking out" — when the Modern Dog editors shared Darby with their readers.


    I was curious how the profile came about.


    Moira McLaughlin: Did you submit your work to Modern Dog Magazine?


    Clair Hartmann:
    No, they approached me.  I'm not sure how they found me.   I'm thinking being on Dog Art Today might have had something to do with it.


    MM: Who selected the paintings?


    CH: They asked me for specific paintings, and I was thrilled when they chose Darby.


    MM: How was the interview conducted?


    CH: It was a written Q + A, which I like best because it gives you time to think, and you don't sound like such a boob when it's published…hopefully.


    MM: What has been the response to the article compared with other press you've received?


    CH: I've gotten a few inquiries and one commission, which surprised me because thought I would get more.  I look at press as a whole.  The more you have written about you, the more known you are.  It's all connected and it leads to other things like shows and other media.  I do believe it started with Dog Art Today's blog post about my Downtown Dog Project.  That's when my work started reaching other people outside of my "zone," which ultimately means more sales and commissions.

    MM: Thank you, Clair, for bringing Darby's sweet face back to me in new and surprising ways.  And thank you for your continued support of Dog Art Today.  I think your new ad is fantastic (see right sidebar).

    If you would like to get noticed on Dog Art Today, please visit my Advertisd Here page.

    Visit Clair Hartmann's website.

    Read Shannon Church's profile of Clair Hartmann on Modern Dog Magazine.

     

  • Katherine Carver Interviews Anna Dibble

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    American Family by Anna Dibble

    Photographer Katherine Carver has an excellent interview with Anna Dibble.


    Favorite quote:


    I really do not like what has happened to the word "creative’."  As with many words, this word has been overused in such a huge variety of mostly bad commercial ways, that it no longer has the true meaning it once had as a word.   I haven’t yet found a word to replace it. The old meaning – to me – meant making things out of nothing, and out of anything.  Making things that come from a person’s imagination, past, present, future – and attempting to not be influenced by other people’s ways of thinking, being, imagining.  It is a hands-on search for self. – Anna Dibble


    Read the full interview at Katherine Carver's blog.   Highly recommend for artists at any stage of your journey.

    Anna Dibble's website.

    Katherine Carver Photography.

  • Bridget Davies: What to Wear When Walking the Dogs

     

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    What to Wear When Walking the Dogs 2

     

    UK artist Bridget Davies loves to paint beautiful women in elegant clothes.  Recently, her subjects have been stepping out with fashion's most timeless and adored accessory — the dog, looking absolutely exquisite.

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    What to Wear When Walking the Dogs 3

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    What to Wear When Walking the Dogs 4

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    What to Wear When Walking the Dogs 5

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    What to Wear When Walking the Dogs 6

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    What to Wear When Walking the Dogs 7

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    What to Wear When Walking the Dogs 8

    Bridget-davies-what-to-wear-when-walking-dogs-11

    What to Wear When Walking the Dogs 11

    See more at Bridget Davies Art and on her Facebook page.

    Thank you Dog Art Today reader and dog artist Anna Wilson-Patterson for introducing me to Bridget's work.

  • Judy Henn’s Dog Portraits

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    Dachshund

    A Monday in mid-January calls for some dogs with sunshine and flowers.   Luckily, I recently was made aware of Lambertville, New Jersey artist and gallery owner, Judy Henn, who describes her work as a cross-pollination of Henri Matisse and Milton Avery.   Judy says, “I know a painting works when someone looks at it and smiles.”
    I spent several hours smiling at her dog portraits this morning.

    See more at Judy Henn’s studio and gallery, Robins Egg Gallery.

    Thank you, Dog Art Today reader and dog artist, Janet Burt of Rainbow Pet Portraits, for introducing me to Judy’s work.

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    Westie

    Judy-henn-nancy's-family-tree

    Nancy’s Family Tree

    Judy-henn-after-the-fall-3

    After the Fall

    Judy-henn-dog-portrait-the-dream

    The Dream

    Judy-henn-dog-painting-july

    July

    Judy-henn-dog-painting-some-things-they-love

    Some Things They Love

    Judy-henn-dog-painting-holiday-hobie

    Holiday Hobie

    Judy-henn-dog-painting-gizzy

    Gizzy
  • Greg Murr: Political Dogs

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    Capital

    The dogs in Greg Murr’s recent series of paintings are inspired by the election season and his bewilderment that so many voters pick a candidate based on gut instinct and not the “pressing global concerns facing the world today.”

    Ellen C. Caldwell has an interesting interview with him and more dogs at New American Paintings.

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    Ways and Means

    Greg-murr-with-ribbon

    With Ribbon

    I discovered Greg Murr’s work on Elena Caíñas’s fantastic “Dogs. Wonder Beast” Pinterest board with over 500 dogs.  Follow all of Elena’s boards.

    Follow me on Pinterest here.

    Visit Greg Murr’s website.

  • Tribute to Cassie – Beth Stafford’s Mentor and Muse

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    Orange Spot No. 1

    Cassie, one of my favorite dog artists passed away on September 22, 2012.   She was North Carolina artist Beth Stafford’s 13-year-old Airedale.  She was also Beth’s collaborator, art teacher, and non-traditional muse.  Together, Cassie and Beth made paintings and digital artworks, sold under the name PicassieO, inspired by Cassie’s nose smudges on Beth’s windows.  

    In those smudges Beth, who is an accomplished artist on her own, saw Cassie’s passion for life, her love of squirrels, deer, birds, and scents of the seasons.  And she also saw an avenue to experiment with the abstract and the organic in ways that are, in my opinion, reminiscent of Georgia O’Keeffe, Matisse, Jackson Pollack, and the duo’s namesake, Picasso.  I wanted to share some of my favorite PicassieOs with you and check in with Beth to send her my condolences.

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    Cassie at Work

    Moira McLaughlin: I was so sad to hear of Cassie’s passing.   I have been a fan of you both since I wrote about PicassieO in 2008.  I wanted to celebrate Cassie’s life and share your story with new Dog Art Today readers, many of whom have their own non-traditional muses sharing studio space with them.  How did you Cassie come into your life?

    Beth Stafford: I found her through the old Mid-Atlantic Airedale Rescue. Her owners divorced and gave her up.  She was 16 months old when I adopted her on September 6, 2000.  She was a wild child until she finally settled down as much as an Airedale can.  We were able to celebrate her twelfth “Gotcha Day” last month. We had a dozen great years together, but it’s still too short.

    MM: How long after you adopted her did you begin collaborating?

    BS: I didn’t recognize her talent until six years after I adopted her.  She had been marking the windows for years before my “aha” moment.  It happened one day when I was taking a break upstairs and looked at my west windows which are behind the couch where Cassie liked to perch to see what was happening outside.  The sun was beaming in and hit the marks just right.  I was really blown away by the beauty and freedom of her “brushwork”.  I grabbed my camera and photographed away.  Then I started playing with the pictures in Photoshop Elements, filtering and coloring until I liked the results.  At first that’s all I did.

    Beth-stafford-cassie-pink-lady

    Pink Lady

    MM: Were you struggling with your own art, looking for inspiration at the time?

    BS: Yes.  My style for 20 years was very precise, hard-edged, and mostly involved architectural subjects.  I was really good at it, but I was getting bored.  I had been experimenting with different mediums and subject matter for several years, but I found it challenging to turn loose my inhibitions until Cassie set me free.  She was an expressionist master!  Using her totally uninhibited reactions to life around us as a starting point, I was able to concentrate on my love of color and composition and produce the wild art that I am doing as PiCassieO, and I was able to honor my mentor by putting her in the center of the name of another fun artist.

    MM: Did your collaboration with Cassie represent a creative breakthrough?

    BS: Most definitely.

    MM: Did you put your own ideas on hold or ever second guess working with Cassie?

    BS: Her “ideas” were the starting point for my new art.  At first I stuck to what she had done and just cropped and altered the photos.  Then, a few years later, I got a stylus and began to draw on the marks, which was a big change in the look.  Lately I have been outlining her strokes and lifting them by cutting and pasting into new files.  Then I cut and paste other elements of the photo and do a virtual collage with all of it.  An example is Matisse Collage (see below).  That’s what I was doing when Cassie got sick, so I haven’t done many of them.   Meanwhile, I was branching out into painting again, using the prints as inspiration. Orange Spot No. 1 (see above) is one of them.  That’s the direction I plan to explore, solid colors and sharp lines, far from where I started.

    Beth-stafford-cassie's-nose-garden
    Cassie’s Nose Garden

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    LOST Abstract No. 3

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    Matisse Landscape Painting

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    Matisse Collage

    MM: Are you able to create now? Or has grieving impacted your creativity?

    BS: I am still trying to catch up on all the things I neglected while she was sick (and while I was recuperating from breaking my wrist in February when slid off the dog ramp in the rain), but I have managed to make some of our PiCassieO jewelry, which doesn’t involve a lot of time and helps me concentrate on something besides missing her, at least for a little while. Every time I go to my photo organizers there are dozens of pictures of Cassie, so I usually wind up crying instead of working.  I’m trying to get all those photos organized and saved onto jump drives.  It’s necessary if I am ever going to get back to serious work.  I say “serious” but this is really the most fun I’ve ever had with my art, thanks to my goofball dog!  She was my best teacher, as well as my best friend.

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    Beth and Cassie: the artistic duo known as PicassieO

    MM: I am so deeply sorry for your loss, Beth. I know no words can help, but I hope each day gets a little easier and you can find inspiration in Cassie’s photos in new and joyful ways.  Rest in peace, sweet girl.

    Cassie-on-back-of-couch

    Cassie, April 12, 1999 – September 22, 2012


    See more of Cassie and Beth Stafford’s work or buy your own PicassieO:

    http://www.airedale-art.blogspot.com
    http://www.bethstafford.com
    http://www.picassieo.etsy.com
    http://www.zazzle.com/picassieo
    http://www.cafepress.com/PiCassieO_Art
    http://www.facebook.com/BethStaffordArtAdventures

  • One Must Know the Animals at MMOCA

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    Self Portrait with Sandy by Cherie Hiser, 1974


    One must know the animals
    , an exhibition that explores our relationship with the animal kingdom is on view at the Madison Museum of Contemporary Art in Wisconsin until August 2, 2012.

    The title is taken from the Rainer Maria Rilke novel The Notebooks of Malte Laurids Brigge:

    For the sake of a few lines one must see many cities, men and things. One must know the animals, one must feel how the birds fly and know the gesture with which the small flowers open in the morning. One must be able to think back to roads in unknown regions, to unexpected meetings and to partings which one had long seen coming ….

    More information here.

    Hat tip to Dog Art Today reader Martha Claasen for letting me know about the show and who covertly photographed some paintings that looked like Tyler.