Category: 19th Century Dog Art

  • Cleveland Museum of Art: Where it All Began?

    The_thinker_cleveland

    The Thinker by August Rodin at the Cleveland Museum of Art.  Photo by Chris Auman.

    Some parents strap skis on their kids as soon as they can walk, and hit the slopes.  Mine hit the art museums.  Growing up in Cleveland, that meant I was exposed to some of the greatest art in the world at the Cleveland Museum of Art.  I have very clear memories of viewing works there and forming my tastes about art.  For example, at around age six I remember being bored by a Jean-Baptiste-Siméon Chardin exhibition.  I am still bored by him today.   I thought every town had a May Show that explored the boundaries of Contemporary Art.  I remember the vivid primary colors I used in my Saturday morning
    art class sculpture.  Those colors now decorate my home.  And maybe the 1971 addition designed by Marcel Breuer where the art classes were held explains my love for stripes

    Marcel_breuer_cleveland_museum

    The Breuer entrance to the museum designed by Marcel Breuer.  Photo by Heidi Strean.

    Last Friday, the museum hosted Dr. Edgar Peters Bowron for a lecture titled "Best in Show: The Dog in Art from the Renaissance
    to Today."  Dr. Bowron is also co-author of a book
    with the same title that I have featured here and used as a reference in my film "Dogs in Art".   In conjunction with the lecture, the museum posted some of their dog artworks on their website.  It got me thinking that even though we were a cat family and I didn't like dogs when I was young, this institution might have been where my passion for dogs in art all began.  Here are some highlights:

    Dog_watching

    Dog Watching, Song Dynasty, China 960 -1279
    Book_of_hours

    Book of Hours, France of Flanders, early 14th century
    Blindness_tobit_rembrant

    The Blindness of Tobit by Rembrandt, 1651
    Cushingura_storehouse_loyalty

    Chushingura: Act VII of the Storehouse of Loyalty by Kitagawa Utamaro, late 1790s
    Ludovic_lepic_dog_degas

    Ludovic Lepic Holding His Dog by Edgar Degas, 1889
    Woman_with_dog_ethel_mars

    Untitled (Woman with Dog from Back) by Ethel Mars, 1903 – 1908
    Dog_kiyoshi_saito

    Dog by Kiyoshi Saito, 1954

    I've said before that art matters. For some children, it might mean everything.

  • Another Pierre Bonnard Dachshund

    Bonnard_dachshund

    I thought I'd seen all the Bonnard Dachshund art works, but this one, part of  the Phillips Collection in Washington, D.C. , is new to me.  Bonnard gets the Doxie paws and erect stance just right, as well as the intense determination.  You just  know this little guy is going to get some table scraps any moment.  I also love the woman's striped shirt.  And the bottle of wine.  Clearly, Bonnard knew what was important in life.

    Thank you, Philip Koch, for taking this photo and sharing it on your blog.

    P.S. Click here to see one of my favorite posts featuring Pierre Bonnard and Pablo Picasso and their Dachshunds.

  • Charles Dickens’s Dog Collar Sells for $11,590!

    Charles_dickens_dog_collar

    Bonhams 28th Dog Art Sale just wrapped up and the most talked about piece, Charles Dickens’s leather and brass dog collar has surpassed expectations of its $4,000 – $6,000 estimate, selling for $11, 590.  The collar, engraved with the Victorian author’s name, C. Dickens, Esq., and address, Gad’s Hill, Place, Hingham, was featured in Bonhams’s catalogue with this article depicting Dickens’s fondness for his many dogs and, as in the case of General George Washington, his originality in naming them:

    ‘All animals which he took under his especial patronage seemed to have
    a marked affection for him. Quite a colony of dogs has always been a
    feature at Gad’s Hill. When Dickens returned home from his last visit
    to America, these dogs were frequently spoken of in his letters. In
    May, 1868, he writes: “As you ask me about the dogs, I begin with them.
    The two Newfoundland dogs coming to meet me, with the usual carriage
    and the usual driver, and beholding me coming in my usual dress out at
    the usual door, it struck me that their recollection of my having been
    absent for any unusual time was at once cancelled. They behaved (they
    are both young dogs) exactly in their usual manner; coming behind the
    basket phaeton as we trotted along, and lifting their heads to have
    their ears pulled,—a special attention which they receive from no one
    else. But when I drove into the stable-yard, Linda (the St. Bernard)
    was greatly excited, weeping profusely, and throwing herself on her
    back that she might caress my foot with her great fore-paws. M.’s
    little dog, too, Mrs. Bouncer, barked in the greatest agitation, on
    being called down and asked, ‘Who is this?’ tearing round and round me
    like the dog in the Faust outlines.”‘ James T. Fields, Atlantic, August, 1870

    And in case the Winter Olympics is not satisfying your need to indulge in nationalistic stereotyping, I offer you a few more dog collars to interpret based on nation of origin…

    Swiss_dog_collars

    Swiss dog collars, early 20th century.  Sold for $519.

    German_dog_collar

    Iron dog collar with protective spikes from Germany, 17th century. Sold for $1, 342.

    In the painting category, the star of the show, John Emms’s The Bitchpack of the Meath Foxhounds
    failed to realize its $500,000 – $700,000 estimate.  But it did sell for a respectable $482,000.  Given that another Emms painting, The New Forest Hounds, sold for the world record price of $842,250 in 2006, I’d say whoever purchased The Bitchpack got a great deal.
    The_bitchpack_of_the_meath


    The Bitchpack of the Meath Foxhounds by John Emms, 1896.  Sold for $482,000.

    See all the auction results here.

  • Veterans Day

    Recovered_henochsberg

    "Recovered" by M. Henochsberg, 1869

    I hate saying "Happy" Veterans Day because I think war is a sickening waste.  Nothing happy about it, except perhaps when the soldiers come home.  I hope our active soldiers can soon move into the ranks of the veterans and stay there.

    I couldn't find out much about the above lithograph.   The Library of Congress simply states, "Wounded soldier lying on ground with two soldiers kneeling and dog sitting alongside him."

    It was created in 1869 and depicts Civil War soldiers.  I wonder what its purpose was.  Drop me a note if you have any idea.

    My local radio station KVMR is playing songs for veterans, many of them are anti-war.   Click here to listen to a live stream of it — the best local radio station in the land (really).

  • The Artist’s Wife and his Setter Dog by Thomas Eakins

    Thomas_eakins_artists_wife_setter_dog

    The Artist’s Wife and His Setter Dog by Thomas Eakins, ca. 1884-89

    Dallas Art News reports:

    The Amon Carter Museum has been loaned two American masterpieces from the Metroploltian Museum of Art in New York. The paintings are The Artist’s Wife and His Setter Dog (1884-89) by Thomas Eakins (1844-1916) and Lydia Crocheting in the Garden at Marly (1880) by Mary Cassatt (1844-1926). The paintings will be on view at the Amon Carter Museum through January, 25, 2010.“Both
    are intimate portraits of the artists’ loved ones, although the artists
    approached their subjects quite differently,” says Rebecca Lawton,
    curator of paintings and sculpture at the Amon Carter Museum. “Eakins
    depicts his wife and setter Harry with an uncompromising realism, while
    Cassatt portrays her ailing sister Lydia with the delicacy and
    directness of the Impressionists’ brushstroke.”

    While these two paintings are in Fort Worth, the Carter has in return loaned two of its own masterpieces to the Met, Swimming (1895) by Thomas Eakins and Idle Hours
    (ca. 1894) by William Merritt Chase. Both paintings are in the Met’s
    exhibition American Stories: Paintings of Everyday Life, 1765–1915.

    The Amon Carter will host free gallery talks about the Eakins and Cassatt paintings on November 12 at 6 p.m.

    Lovely.

  • Alexander McCall Smith’s New Dog Novel


    Alexander_mccall_smith

    Alexander McCall Smith by Iain McIntosh

    The Dog Who Came in from the Cold, Alexander McCall Smith’s sequel to Corduroy Mansions, will begin it’s serialization, a chapter each week, starting Monday, September 21 at Telegraph.co.uk.  The Telegraph’s Toby Clements interviewed McCall Smith and discovered the author prefers to think of these works as soap operas, not serials, that he aims at 80 chapters but only starts with 40 fleshed out, reader input is appreciated, and what I found most interesting, he is inspired by the late 19th century painters Pierre Bonnard and Edouard Vuillard, both artists who are known for featuring dogs in their art.   It appears that Freddie de la Hay, the titular dog in McCall Smith’s new novel, descends from a long tradition of great dog art.  How cool is that?

    Click here to read the full article.

    Here are some of my favorite works from the Bonnard and Vuillard:

    Bonnard_1

    The Bathroom by Pierre Bonnard, 1932

    Nude-in-bath-and-small-dog-pierre-bonnard

    Nude in the Bath and Small Dog by Pierre Bonnard, 1941-1946
     

    Bonnard_4

    Dressing Table and Mirror by Pierre Bonnard, 1913

     

    Villiard_1 Aux Pavillons à Cricqueboeuf. Devant la Maison by Edouard Vuillard, 1913

     

    Vuillard_2
    The Terrace at Vasouy, the Lunch by Edouard Vuillard, 1901

     

    Vuillard_3

    Interior at Saint-Jacut by Edouard Vuillard, 1909

  • Kimberly Merrill: Unleashed at Lora Schlesinger

    K_merrill_lenny

    Lenny

    Kimberly Merrill’s Unleashed show opens this Saturday, April 25 at Lora Schlesinger Gallery in Santa Monica.  It looks like a beauty.  The artist, a divorced empty-nester who decided to go to art school ten years ago and went on to get her BFA and MFA and now teach at Laguna College of Art and Design, became interested in the history of dog portraits and began her own series a year ago.  This is her first solo show.

    What I like about her work is not just her mastery of oils, the high-wire act of painting, in my opinion, but also her return to the primal aspect of dog portraiture.  As she writes in her artist’s statement:

    I realized that even with the surge in representational painting today,
    animal painting as a genre, largely follows a Modernist aesthetic, and
    is rarely seen in fine art or academic art circles. I want to bridge
    the divide, both as an academic painter and as a dog lover and present
    dogs, not as one-dimensional stereotypes, but as living breathing
    spirits. In each painting, it is the domesticated individual, along
    with their wild heritage that I hope to capture and memorialize, and in
    doing so, bring the same dignity to them that they bring to our lives
    everyday.

    Merrill’s dogs have personalities, but they have animality too.  It is a delicate balance she manages with a stunning expertise, inspired, she says, by 18th century painter, Jean-Baptise Oudry, renowned for the soulfulness of his exotic animals in captivity.  I also see shades of one of my favorite 19th century dog artists, Monica Gray, one of the many painters Merrill must have seen in another of her inspirations, William Secord’s book, Dog Painting 1840 – 1940.

    Above all, I am inspired by Kimberly Merrill as an artist who found her passion by starting a new chapter in her life, and who is not afraid to look back several centuries in order to capture dogs anew. 

    K_merrill_lily

    Lily
    K_merrill_napoleon

    Napoleon

    K_merrill_chiquita

    Chiquita

    K_merrill_weimaraner

    Whistler

    Kimberly Merrill Unleashed at Lora Schlesinger runs April 25, 2009 – June 6, 2009. 

    Visit Merrill’s blog, Contemporary Canine, for more information.  She also paints pet portrait commissions and can be reached at 949-422-8508.  Having a Merrill original of your dog would be simply brilliant.  If you get one, I would love to see it.

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  • Jean-Léon Gérôme’s A Bashi-Bazouk and His Dog

    Gerome_bashi_bazouk_dog
    A Bashi-Basouk and His Dog by Jean-Léon Gérôme, 1824 – 1904

    I know the Orientalists are not always considered cool.  But I love the theatricality of Jean-Léon Gérôme and his dogs are spectacular.

    This painting, A Bashi-Basouk and His Dog is one of the highlights of Sotheby's New York April 24, 2009 auction of 19th Century European Art Including Orientalist Paintings, Drawings and Sculptures.  Its estimate is $600,000 – $800,000.  You can view all the works starting April 18, 2009.  Visit Sotheby's for more information.

    Art Knowledge News has a nice overview of the auction.

    Related Links:
    Fred Thompson: Nice Headshot
    Happy Thanksgiving!

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  • Doyle New York Dog Art Auction

    Maud_earl_american_pointer

    Head Study of an American Pointer by Maud Earl, 1932

    Doyle New York’s 11th Annual Dogs in Art, Sporting Art and Wildlife Art auction on Tuesday will be held March 24, 2009.  The event, which used to take place during the week of the Westminster Dog Show in early February, has been pushed back to give dog lovers a chance to take in the art and attend their annual brunch benefiting Angels On A Leash Therapy Dog Program at Morgan Stanley Children’s Hospital without having to miss any of the dog show.  From a look at the party pics of so many dogs and their people, it looks like waiting for spring was the right move.

    All the art is on view at Doyle today and the auction is tomorrow at 1pm.  Click here for more details.  These are some of my favorites:

    Scottie_poster_marguerite_kirmse 

    Mock-up for Scottie Show Poster by Marguerite Krimse, 1915

    Thomas_earl_waiting_for_dinner 

    Waiting for Dinner by Thomas Earl, 1836-1885

    Dog_trainer_F_sigmund_lachenwitz 

    The Dog Trainer by F. Sigmund Lachenwitz, 1820-1868

    English_pointer_jacomb_hood 

    English Pointer by George Percy R.E. Jacomb-Hood, 1882

    Your_future_told_c_m_coolidge 

    Your Future Told by Cassius Marcellus Coolidge, 1885

    This last painting of the gypsy Chihuahua is especially interesting because the artist, C. M. Coolidge, is the man who would go on to paint the famous dogs playing poker series in the early 1900's.  You can see another one of his earlier dog art works here.  It's always fascinating to note the evolution of an artist, especially a dog artist who created perhaps the most iconic dog paintings in America that now sell for over half a million dollars.

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  • John Singer Sargent’s Studio

    John_singer_sargent

    John Singer Sargent, 1885

    Photograph of John Singer Sargent in his Paris studio circa 1885.  Photographer unknown via the Smithsonian Institution photostream on flickr.  Note the large dog portrait in the upper left hand corner.

    I wonder if this is where he seduced Louise Burckhardt (or she seduced him)…

    Louise

    Louise Burckhardt, Lady With The Rose, by Sargent, 1882

    …and also painted Louise's dog, Pointy.  IMO, one of the greatest dog art works of all time…

    Pointy

    Pointy by John Singer Sargent, early 1880's

    Read more about the bittersweet love story herePointy is also one of the stars in my short film, Dogs in Art.

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